Choeur des Moines de l'abbaye de Keur Moussa au Sénégal's 'Complies - Antienne "N'abandonne pas" & Cantique de Siméon' had a release date set for May 1, 1994. With This song being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 61 in the song's album "Offices du Dimanche". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Switzerland. In terms of popularity, Complies - Antienne "N'abandonne pas" & Cantique de Siméon is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
With Complies - Antienne "N'abandonne pas" & Cantique de Siméon by Choeur des Moines de l'abbaye de Keur Moussa au Sénégal having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La gloire de St Benoît - Hymne : Inter aeternas | Choeur des moines de l'abbaye Notre Dame de Fontgombault | D♭ Major | 1 | 3B | 131 BPM | ||
À Jésus, l’Agneau immolé (Victimæ pascali) | Emmanuel Music | D Major | 3 | 10B | 75 BPM | ||
Processio Finalis | Cantarte Regensburg | G Major | 1 | 9B | 136 BPM | ||
Sanctus X | Choeur des moines de l'abbaye Notre Dame de Fontgombault | D Major | 1 | 10B | 85 BPM | ||
Jolene | The Spooky Men's Chorale | E♭ Minor | 7 | 2A | 111 BPM | ||
Laetentur Caeli | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes | A Major | 0 | 11B | 127 BPM | ||
Remember Me, O Lord | Men's Choir of the Valaam Singing Culture Institute | F Minor | 0 | 4A | 65 BPM | ||
Come, Follow After Me | The Schola Cantorum of St. Peter the Apostle, J Michael Thompson | E♭ Major | 1 | 5B | 139 BPM | ||
Telo Khristovo Primite (Accept the Body of Jesus Christ) | Saint Petersbourg Vocal Ensemble, Bernard Houdy | A♭ Major | 1 | 4B | 96 BPM | ||
Domingo de Quasimodo: Ofertorio: Angelus Domini (8º modo) | Tradicional, Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Joseph Gajard | D♭ Major | 1 | 3B | 77 BPM |