- BPM
- 108
- Key
- G Minor
- Camelot
- 6A
Star Trek IV: The Voyage Home: End Credits - From "Star Trek IV: The Voyage Home" - Leonard Rosenman Information
- Acousticness
- 84%
- Danceability
- 20%
- Energy
- 29%
- Instrumentalness
- 78%
- Liveness
- 19%
- Loudness
- 70%
- Speechiness
- 4%
- Valence
- 17%
- Popularity
- 25%
- Loudness
- -18.044 dB
Summary
"Star Trek IV: The Voyage Home: End Credits - From "Star Trek IV: The Voyage Home"" by Leonard Rosenman was released on January 1, 2000. The duration of Star Trek IV: The Voyage Home: End Credits - From "Star Trek IV: The Voyage Home" is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Star Trek IV: The Voyage Home: End Credits - From "Star Trek IV: The Voyage Home"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "The Ultimate Star Trek". In this album, this song's track order is #6. In terms of popularity, Star Trek IV: The Voyage Home: End Credits - From "Star Trek IV: The Voyage Home" is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Star Trek IV: The Voyage Home: End Credits - From "Star Trek IV: The Voyage Home" BPM
With Star Trek IV: The Voyage Home: End Credits - From "Star Trek IV: The Voyage Home" by Leonard Rosenman having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
Star Trek IV: The Voyage Home: End Credits - From "Star Trek IV: The Voyage Home" Key
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Crash-Whale Fugue | Leonard Rosenman | G Major | 2 | 9B | 81 BPM | |
 | Lamia's Doll | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | A Major | 3 | 11B | 87 BPM | |
 | They're Here And Skull Cave Chase | Dave Grusin | B♭ Minor | 3 | 3A | 120 BPM | |
 | The Great Train Robbery (Theme) | Czech Philharmonic Chamber Orchestra | B♭ Major | 4 | 6B | 148 BPM | |
 | Force Ten from Navarone: Main Theme | Ron Goodwin, Rumon Gamba, BBC Philharmonic | F Major | 7 | 7B | 118 BPM | |
 | Love Theme of Ben-Hur | Rome Symphony Orchestra, Carlo Savina | F Major | 1 | 7B | 51 BPM | |
 | Main Title And Closing Theme | Fred Steiner | A Minor | 3 | 8A | 79 BPM | |
| Coronation | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | C Major | 4 | 8B | 87 BPM | |
 | Paris Takes the Helm | Jay Chattaway | B Major | 1 | 1B | 121 BPM | |
 | The Showdown | Carter Burwell | G Major | 1 | 9B | 78 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.5968217849731445
End: 0.6011803150177002