Jeremiah Clarke, Uwe Komischke, Thorsten Pech made "Suite in D Major: III. Sybille" available on August 1, 2008. With Suite in D Major: III. Sybille being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Uwe Komischke, Thorsten Pech's "Meisterwerke für Trompete und Orgel" album is number 10 out of 25. On top of that, Switzerland appears to be the country where this track was created. Suite in D Major: III. Sybille is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Suite in D Major: III. Sybille by Jeremiah Clarke, Uwe Komischke, Thorsten Pech to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Bourgeois Gentilhomme, LWV 43: Canaries (1670) | Jean-Baptiste Lully, Jordi Savall, Le Concert Des Nations | D Minor | 3 | 7A | 84 BPM | ||
Radetzky-March, Op. 228 | Johann Strauss I, Hungarian State Orchestra, Janos Ferencsik | A Major | 3 | 11B | 102 BPM | ||
Te Deum, H. 146: Prelude | Marc-Antoine Charpentier, Raymond Leppard, English Chamber Orchestra | D Major | 5 | 10B | 75 BPM | ||
Praise the Lord O Jerusalem | Jeremiah Clarke, Choir of New College, Oxford, Ryan Wigglesworth, Academy of Ancient Music, Edward Higginbottom | C Major | 1 | 8B | 166 BPM | ||
Sinfonia in A Major: I. Presto | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Major | 3 | 11B | 117 BPM | ||
Carmen: II. Entr'acte Prelude to Act III | Gottfried Reiche, Jeremiah Clarke, Ryan Anthony, Gary Beard | E Major | 0 | 12B | 91 BPM | ||
Es ist nun aus mit meinem Leben | Johann Christoph Bach, Julia Doyle, Katherine Fuge, Clare Wilkinson, Nicholas Mulroy, James Gilchrist, Jeremy Budd, Matthew Brook, Peter Harvey, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 1 | 3B | 170 BPM | ||
Symphony in G Minor, Op. 6, No. 6, W. C12: I. Allegro | Johann Christian Bach, Concerto Köln | F♯ Minor | 1 | 11A | 87 BPM | ||
Hora Staccato | Grigoras Dinicu, Håkan Hardenberger, Roland Pöntinen | E♭ Major | 2 | 5B | 157 BPM | ||
Capriol Suite: 3. Tordion | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Minor | 0 | 6A | 96 BPM |
Section: 0.7368557453155518
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