"Sancan: Sonatine for Flute and Piano: I. Moderato" by Pierre Sancan, Eric Le Sage was released on January 20, 1998. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "Paris - French Flute Music". In this album, this song's track order is #7. Sancan: Sonatine for Flute and Piano: I. Moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sancan: Sonatine for Flute and Piano: I. Moderato by Pierre Sancan, Eric Le Sage having a BPM of 60 with a half-time of 30 BPM and a double-time of 120 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Beethoven: Serenade in D Major, Op. 25: VI. Adagio | Ludwig van Beethoven, Emmanuel Pahud, Daishin Kashimoto, Amihai Grosz | G Minor | 1 | 6A | 141 BPM | ||
Piano Quintet in E-Flat Major, Op. 44: IV. Allegro, ma non troppo | Robert Schumann, Gordan Nikolitch, Daishin Kashimoto, Lise Bertaud, François Salque, Eric Le Sage | E♭ Major | 2 | 5B | 126 BPM | ||
Saint-Saëns: Tarentelle, Op. 6 | Camille Saint-Saëns, Emmanuel Pahud, François Leleux, Orchestre de chambre de Paris | A Minor | 1 | 8A | 75 BPM | ||
12 Etudes, L.136: 11. Pour les Arpèges composés | Claude Debussy, Mitsuko Uchida | D♭ Major | 0 | 3B | 73 BPM | ||
Piece en forme de habanera (arr. A. Hoeree for violin and orchestra) | Maurice Ravel, Arthur Hoeree, Jennifer Gilbert, Orchestre National De Lyon, Leonard Slatkin | G Major | 0 | 9B | 68 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 4, Lento "She Borrowed Some of Her Mother's Gold" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E Minor | 0 | 9A | 73 BPM | ||
100 Transcendental Studies: No. 18: Liscio. Tranquillamente scorrevole | Kaikhosru Sorabji, Fredrik Ullén | E Minor | 1 | 9A | 142 BPM | ||
Beethoven / Arr. Pahud: Violin Sonata No. 8 in G Major, Op. 30 No. 3: II. Tempo di Minuetto ma molto moderato e grazioso | Ludwig van Beethoven, Emmanuel Pahud | E♭ Major | 0 | 5B | 76 BPM | ||
5 Pieces, Op. 75, "The Trees": No. 5 Granen (The Spruce) | Jean Sibelius, Håvard Gimse | D Major | 0 | 10B | 68 BPM |
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