Andy Kirk's 'Until The Real Thing Comes Along' had a release date set for 1970. The duration of This song is about 3 minutes long, at 3:01. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Andy Kirk's "Instrumentally Speaking" album is number 124 out of 139. Until The Real Thing Comes Along is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Until The Real Thing Comes Along by Andy Kirk to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Things Ain't What They Used to Be | Charlie Barnet & His Orchestra | A♭ Major | 1 | 4B | 113 BPM | ||
Jersey Jump Off | Cozy Cole | E♭ Major | 4 | 5B | 119 BPM | ||
King Porter Stomp | Jimmy Dorsey & His Orchestra | A♭ Major | 6 | 4B | 106 BPM | ||
China Boy | Paul Whiteman | D Major | 2 | 10B | 87 BPM | ||
Twelve Cylinders | Bill Elliott Swing Orchestra | D♭ Major | 4 | 3B | 185 BPM | ||
Mess-a-Stomp | Andy Kirk | B♭ Major | 3 | 6B | 93 BPM | ||
Panama | Bunk Johnson | F Minor | 3 | 4A | 103 BPM | ||
The Right Idea | Charlie Barnet | F Minor | 6 | 4A | 108 BPM | ||
Clap Your Hands on the After Beat | Bob Chester, Bob Chester Orchestra, Dolores O'Neill | C Minor | 3 | 5A | 172 BPM | ||
Up Jumped the Devil | Earl Hines & His Orchestra | D♭ Major | 5 | 3B | 180 BPM |