- BPM
- 119
- Key
- G Major
- Camelot
- 9B
Axur, Re d'Ormus: VIII. Canzone - Antonio Salieri, Consortium Classicum Information
- Acousticness
- 99%
- Danceability
- 63%
- Energy
- 4%
- Instrumentalness
- 91%
- Liveness
- 10%
- Loudness
- 65%
- Speechiness
- 6%
- Valence
- 44%
- Popularity
- 0%
- Loudness
- -21.075 dB
Summary
Antonio Salieri, Consortium Classicum made "Axur, Re d'Ormus: VIII. Canzone" available on January 1, 2016. With Axur, Re d'Ormus: VIII. Canzone being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 27 in the song's album "Salieri: Harmonie Musiken". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Germany. In terms of popularity, Axur, Re d'Ormus: VIII. Canzone is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Axur, Re d'Ormus: VIII. Canzone BPM
With Axur, Re d'Ormus: VIII. Canzone by Antonio Salieri, Consortium Classicum having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
Axur, Re d'Ormus: VIII. Canzone Key
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Symphony in D Major, Op. 3, No. 2: I. Presto | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | A Major | 1 | 11B | 83 BPM | |
 | Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | |
 | Abdelazar Suite, Z. 570: VI. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | G Minor | 2 | 6A | 131 BPM | |
 | Harp Concerto in A major: 3. Rondeau: Allegretto | Carl Ditters von Dittersdorf, Marisa Robles, Academy of St. Martin in the Fields, Iona Brown | A Major | 1 | 11B | 97 BPM | |
 | Armida, Atto Terzo Scena 1: Chi sorde vi rende (Coro, Armida) | Antonio Salieri, Les Talens Lyriques, Christophe Rousset, Chœur De Chambre De Namur, Lenneke Ruiten | F Minor | 2 | 4A | 88 BPM | |
 | Winterreise, Op. 89, D. 911: No. 21, Tauschung (Arr. T. Zimmermann and H. Holl) | Franz Schubert, Peter Härtling, Tabea Zimmermann, Hartmut Höll | A Major | 0 | 11B | 119 BPM | |
 | Introduction et variations sur La belle meunière in E Minor, Op. 160, D. 802: III. Var. I | Franz Schubert, Emmanuel Pahud, Eric Le Sage | D Major | 2 | 10B | 101 BPM | |
 | Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | |
 | Symphony in D Major | Vincenzo Bellini, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 0 | 10B | 98 BPM | |
| Symphony in D Major, Op. 18, No. 2: IV. Allegro assai | Muzio Clementi, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 146 BPM |
- ISRC
- DEB950873815
- Label
- L-M Records/RCA Records
Section: 0.6835935115814209
End: 0.6868979930877686