Johann Sebastian Bach, Wilhelm Kempff, Idil Biret's 'Herz und Mund und Tat und Leben, BWV 147: Chorale: Jesus bleibet meine Freude (Jesu, Joy of Man's Desiring) (arr. W. Kempff): Jesu bleibet meine Freude, BWV 147 (trans. W. Kempff)' came out on May 20, 1992. The duration of Herz und Mund und Tat und Leben, BWV 147: Chorale: Jesus bleibet meine Freude (Jesu, Joy of Man's Desiring) (arr. W. Kempff): Jesu bleibet meine Freude, BWV 147 (trans. W. Kempff) is about 3 minutes long, at 3:07. Based on our data, "Herz und Mund und Tat und Leben, BWV 147: Chorale: Jesus bleibet meine Freude (Jesu, Joy of Man's Desiring) (arr. W. Kempff): Jesu bleibet meine Freude, BWV 147 (trans. W. Kempff)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Wilhelm Kempff, Idil Biret's "Kempff: Italian Suite / Piano Sonata / Transcriptions" album is number 5 out of 20. Based on our statistics, Herz und Mund und Tat und Leben, BWV 147: Chorale: Jesus bleibet meine Freude (Jesu, Joy of Man's Desiring) (arr. W. Kempff): Jesu bleibet meine Freude, BWV 147 (trans. W. Kempff)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Herz und Mund und Tat und Leben, BWV 147: Chorale: Jesus bleibet meine Freude (Jesu, Joy of Man's Desiring) (arr. W. Kempff): Jesu bleibet meine Freude, BWV 147 (trans. W. Kempff) by Johann Sebastian Bach, Wilhelm Kempff, Idil Biret to be Allegro (fast, quick, and bright) because the track has a tempo of 123 BPM, a half-time of 62BPM, and a double-time of 246 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto for three violins BWV 1064R in D Major: Concerto for three violins BWV 1064R in D Major: I. | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz, Anne-Katharina Schreiber, Petra Mullejans | D♭ Major | 3 | 3B | 96 BPM | ||
Sonata in G Major, K. 14 | Domenico Scarlatti, Lucas Debargue | G Major | 2 | 9B | 91 BPM | ||
Concerto for 3 Harpsichords, Strings & Continuo No. 2 in C Major, BWV 1064: 2. Adagio | Johann Sebastian Bach, Maurizio Baglini, Marcello Mazzoni, Andrea Padova, I Solisti Filarmonici Italiani, Federico Guglielmo | D Minor | 2 | 7A | 139 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Ede Inhoff, Hungarian State Opera Chamber Orchestra | E♭ Minor | 0 | 2A | 83 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : V. Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | B Minor | 1 | 10A | 87 BPM | ||
Chromatic Fantasia And Fugue In D Minor, BWV 903 : Fugue | Janos Sebestyen, Johann Sebastian Bach | D Minor | 3 | 7A | 88 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Viola da gamba Sonata in G Minor, BWV 1029 (Arr. for Cello & Piano): III. Allegro | Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt | A♭ Major | 0 | 4B | 84 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM |
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