"Christus factus est: Christus factus est" by Felice Anerio, Westminster Cathedral Choir, Martin Baker was released on 2020. The duration of Christus factus est: Christus factus est is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Christus factus est: Christus factus est's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vexilla Regis: A Sequence of Music from Palm Sunday to Holy Saturday by Westminster Cathedral Choir, Martin Baker, Peter Stevens. The song's track number on the album is #19 out of 21 tracks. Based on our statistics, Christus factus est: Christus factus est's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Christus factus est: Christus factus est by Felice Anerio, Westminster Cathedral Choir, Martin Baker has a tempo of 130 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Christus factus est: Christus factus est being at 130 BPM, the half-time would be 65 BPM with a double-time of 260 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In Thy Kingdom (from the Liturgy) | Kiev Chamber Choir | E♭ Major | 1 | 5B | 64 BPM | ||
Lo! He Comes With Clouds Descending (arr. R. Vaughan Williams) | Thomas Arne, Ralph Vaughan Williams, Beverly Hills All Saints' Church Choir, Craig Phillips, Thomas Foster | G Major | 2 | 9B | 94 BPM | ||
Ave verum corpus | Orlande de Lassus, The Cambridge Singers, John Rutter | F Major | 0 | 7B | 120 BPM | ||
Sotto l'ombroso speco | Felice Anerio, Gruppo Vocale Àrsi & Tèsi, Tony Corradini | A Major | 1 | 11B | 134 BPM | ||
Six chansons: I. La biche | Paul Hindemith, Ensemble vocal Aedes, Mathieu Romano | E Major | 1 | 12B | 120 BPM | ||
God So Loved the World | John Stainer, Choir of St. John's College, Cambridge, Andrew Nethsingha | D Major | 1 | 10B | 81 BPM | ||
Officium defunctorum: Invitatorium: Antifona: "Circumdederunt me" | Cristobal de Morales, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 125 BPM | ||
My Bonny Lass She Smileth | Thomas Morley, Pro Cantione Antiqua, Philip Ledger | G Major | 1 | 9B | 92 BPM | ||
April is in my mistress' face | Thomas Morley, Trinity Baroque, Julian Podger | F Major | 2 | 7B | 134 BPM | ||
O Mors Illa | Girolamo Frescobaldi, Adrian Lucas, George Guest | G Minor | 1 | 6A | 81 BPM |
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