"Pa Mi Padre Morao" by Antonio de la Malena was released on 1999. The duration of Pa Mi Padre Morao is about 3 minutes long, at 3:27. Based on our data, "Pa Mi Padre Morao" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Antonio de la Malena's "Mis Pensamientos" album is number 6 out of 10. On top of that, Spain appears to be the country where this track was created. Pa Mi Padre Morao is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pa Mi Padre Morao by Antonio de la Malena to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
El Cante Es Mi Buen Amigo: Bulerías al Golpe - Remastered | Manolo Caracol, Juan Carmona | E♭ Minor | 2 | 2A | 130 BPM | ||
Dime Origen - Rumba | Rosario La Tremendita, Juan Requena, José Angel Carmona | A Minor | 3 | 8A | 83 BPM | ||
Fandangos de Encinasola: Yo Planté una Maceta - Remastered | Cerrejón, M. Garrido Palacios, M. Pascual | F♯ Major | 3 | 2B | 141 BPM | ||
Yo soy como quién yo sé (Bulería) | Curro Malena, Rogelio Conesa, Quique Paredes | F♯ Major | 4 | 2B | 108 BPM | ||
Fandangos Valientes para Bailar: Huelva Rica Capital - Remastered | Cerrejón, M. Garrido Palacios, M. Pascual | F♯ Major | 3 | 2B | 141 BPM | ||
Colombianas: Coletilla Final | Juan María Real, Ana Real, Manuel Salado | A Major | 4 | 11B | 77 BPM | ||
Tangos de Málaga: Bloque Final | El Trini, Victor M. Rosa, Mariló García, Lurdes García | B Minor | 4 | 10A | 183 BPM | ||
Dimelo | La Chiqui | G Major | 4 | 9B | 92 BPM | ||
Escobilla Media: Guitarra y Cómpás 220 (Alboreá) | Victor M. Rosa, Mariló García, Lurdes García | C Major | 9 | 8B | 125 BPM | ||
Toitas las Mujeres Llevan - Fandangos de Huelva | Porrina de Badajoz, Juan Salazar, Porrina Hijo, Antonio Arenas | E♭ Minor | 4 | 2A | 84 BPM |
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