Lili Boulanger, Karin Ott, Jean Lemaire made "Clairières dans le ciel (Version for Soprano & Piano): No. 3, Parfois, je suis triste" available on December 11, 2020. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Lili Boulanger, Karin Ott, Jean Lemaire, Quartetto di Lugano, Pietro Antonini's "Lili Boulanger: Art Songs" album is number 3 out of 18. On top of that, Switzerland appears to be the country where this track was created. Clairières dans le ciel (Version for Soprano & Piano): No. 3, Parfois, je suis triste is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Clairières dans le ciel (Version for Soprano & Piano): No. 3, Parfois, je suis triste by Lili Boulanger, Karin Ott, Jean Lemaire to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Paganini variations: Variation 4 | Eugène Ysaÿe, Laurent Korcia, Haruko Ueda | A Minor | 1 | 8A | 97 BPM | ||
3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto Lento | Ottorino Respighi, Konstantin Scherbakov | A♭ Minor | 0 | 1A | 70 BPM | ||
Intermezzo, Op. 119/1 | Johannes Brahms, Cappella Amsterdam, Daniel Reuss | D Major | 0 | 10B | 65 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation 12. Tempo di menuetto | Sergei Rachmaninoff, Boris Giltburg, Brussels Philharmonic, Vassily Sinaisky | D Minor | 0 | 7A | 79 BPM | ||
Suite for Two Pianos, Op. 6: II. Andantino con moto | Charles Koechlin, Tal & Groethuysen | F Minor | 0 | 4A | 192 BPM | ||
Berceuse, S. 174 | Franz Liszt, Benjamin Grosvenor | D♭ Major | 0 | 3B | 136 BPM | ||
9 Préludes, Op. 103: No. 3 in G Minor | Gabriel Fauré, Lucas Debargue | E♭ Major | 0 | 5B | 68 BPM | ||
Orpheus' Lament & Dance of the Blessed Spirits (Arr. Kempff) | Christoph Willibald Gluck, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
4 Klavierstücke, Op. 119: No. 1, Intermezzo in B Minor | Johannes Brahms, Jeremy Denk | B Minor | 0 | 10A | 68 BPM | ||
2 Pièces pour violon et piano: No. 1, Nocturne | Lili Boulanger, Célimène Daudet, Amanda Favier | B♭ Major | 1 | 6B | 80 BPM |
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