Johann Sebastian Bach, Henryk Szeryng, Jean-Pierre Rampal, George Malcolm, Academy of St. Martin in the Fields, Sir Neville Marriner made "Brandenburg Concerto No. 5 in D Major, BWV 1050: 2. Affetuoso" available on January 1, 1981. Brandenburg Concerto No. 5 in D Major, BWV 1050: 2. Affetuoso is about six minutes long, preciously at 5:38, making this song fairly long compared to other songs. The song is number 4 out of 8 in Bach, J.S.: Brandenburg Concertos Nos.4, 5 & 6 by Johann Sebastian Bach, Academy of St. Martin in the Fields, Sir Neville Marriner. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Brandenburg Concerto No. 5 in D Major, BWV 1050: 2. Affetuoso is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Brandenburg Concerto No. 5 in D Major, BWV 1050: 2. Affetuoso by Johann Sebastian Bach, Henryk Szeryng, Jean-Pierre Rampal, George Malcolm, Academy of St. Martin in the Fields, Sir Neville Marriner is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Brandenburg Concerto No. 1 in F, BWV 1046: 3. Allegro - Live From Teatro Romolo Valli, Reggio Emilia, Italy/2007 | Johann Sebastian Bach, Victor Aviat, Lucas Macias Navarro, Guido Gualandi, Giuliano Carmignola, Orchestra Mozart, Claudio Abbado | G Major | 1 | 9B | 72 BPM | ||
Erforsche mich, Gott, und erfahre mein Herz, BWV 136: Recitative. Ach, dass der Fluch, so dort (Tenor) | Johann Sebastian Bach, Makoto Sakurada, Peter Kooij, Kai Wessel, Bach Collegium Japan, Masaaki Suzuki | B♭ Major | 0 | 6B | 137 BPM | ||
Violin Concerto in D Major, Op. 77: II. Adagio | Johannes Brahms, Hilary Hahn, Sir Neville Marriner, Academy of St. Martin in the Fields | C Major | 1 | 8B | 59 BPM | ||
Lobe den Herrn, meine Seele, BWV 143: Chorale: Du Friedefurst, Herr Jesu Christ (Soprano) | Johann Sebastian Bach, Ingrid Schmithusen, Makoto Sakurada, Peter Kooij, Bach Collegium Japan, Masaaki Suzuki | A Major | 3 | 11B | 174 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act 2: Dance of the Blessed Spirits | Christoph Willibald Gluck, Stuttgart Chamber Orchestra, Karl Münchinger | F Major | 1 | 7B | 67 BPM | ||
Violin Concerto in C Major, Hob.VIIa:1: II. Adagio | Joseph Haydn, Augustin Hadelich, Cologne Chamber Orchestra, Helmut Muller-Bruhl | E Major | 1 | 12B | 131 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Concerto in G minor, Op.10, No.2, RV 439 " La notte": 5. Il sonno (Largo) | Antonio Vivaldi, Michala Petri, Academy of St. Martin in the Fields, Iona Brown | F Minor | 0 | 4A | 67 BPM | ||
Concerto Grosso In F Minor, Op. 1, No. 8: III. Andante | Pietro Locatelli, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Minor | 1 | 8A | 99 BPM | ||
Concerto for Violin and Strings in F minor, Op.8, No.4, R.297 "L'inverno": 2. Largo | Antonio Vivaldi, Catherine Mackintosh, Nigel North, Academy of Ancient Music, Christopher Hogwood | A Major | 1 | 11B | 75 BPM |
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