Eric Schmidt, Jonathan Rosenberg made "Kapitel 35.2 & Kapitel 36.1 - Wie Google tickt - How Google Works" available on January 8, 2015. The duration of Kapitel 35.2 & Kapitel 36.1 - Wie Google tickt - How Google Works is about 3 minutes long, at 3:12. Based on our data, "Kapitel 35.2 & Kapitel 36.1 - Wie Google tickt - How Google Works" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #46 out of 137 tracks. In terms of popularity, Kapitel 35.2 & Kapitel 36.1 - Wie Google tickt - How Google Works is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Kapitel 35.2 & Kapitel 36.1 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg has a tempo of 111 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Kapitel 35.2 & Kapitel 36.1 - Wie Google tickt - How Google Works being at 111 BPM, the half-time would be 56 BPM with a double-time of 222 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 3/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nimrod | Edward Elgar, Czech Philharmonic, Leopold Stokowski | F Major | 2 | 7B | 117 BPM | ||
H.M.S. Pinafore / Act 1: Hail! Men o'war's men..I'm called little buttercup | Arthur Sullivan, The D'Oyly Carte Opera Company, Gillian Knight, The New Symphony Orchestra Of London, Isidore Godfrey | C Major | 1 | 8B | 87 BPM | ||
Kapitel 45.4 & Kapitel 46 & Kapitel 47.1 - Wie Google tickt - How Google Works | Eric Schmidt, Jonathan Rosenberg | B Minor | 2 | 10A | 127 BPM | ||
Messa di Gloria, Op.posth.: Kyrie: Kyrie eleison, Christe eleison | Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano | C Major | 1 | 8B | 65 BPM | ||
Mass No. 17 in C Minor, K. 427 "Great" (Completed by F. Beyer): I. Kyrie | Wolfgang Amadeus Mozart, Katharina Konradi, WDR Rundfunkchor Köln, Kolner Kammerorchester, Christoph Poppen | C Minor | 1 | 5A | 61 BPM | ||
Gymnopédie No. 3 | Erik Satie, Louis Lane, The Cleveland Orchestra | A Minor | 0 | 8A | 75 BPM | ||
Stabat Mater, FP 148: I. Stabat Mater dolorosa | Francis Poulenc, Ensemble Aedes, Les Siècles, Mathieu Romano | A Minor | 1 | 8A | 104 BPM | ||
6 Lieder, Op. 31: No. 6, Abschied | Ferdinand Ries, Wolfgang Müller von Königswinter, Äneas Humm, Judit Polgar | F Major | 2 | 7B | 93 BPM | ||
Aida: Act II: Vieni: sul crin ti piovano | Giuseppe Verdi, Maria Dragoni, Kristjan Johannsson, Barbara Dever, Mark Rucker, Francesco Ellero d' Artegna, Riccardo Ferrari, Antonio Marcenò, Monica Trini, Colin Mawby, RTÉ Philharmonic Choir, RTE Chamber Choir, Culwick Choral Society, Bray Choral Society, Dublin County Choir, Dun Laoghaire Choral Society, Cantabile Singers, Goethe Institut Choir, Musica Sacra, The Phoenix Singers, RTÉ National Symphony Orchestra, Irish Army No. 1 Band, Ricco Saccani | D Major | 2 | 10B | 60 BPM | ||
The Dream of Gerontius, Op. 38: No. 3, "Kyrie Eleison… Holy Mary, Pray for Him" | Edward Elgar, Anne Sofie von Otter, Sir Colin Davis, London Symphony Orchestra | C Minor | 0 | 5A | 66 BPM |
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