Gerald Barry, Alan Ewing, Joseph Hart, Birmingham Contemporary Music Group, Thomas Adès's ' "The Importance of Being Earnest, Act III: Miss Prism! (Live)" was released on its scheduled release date, November 4, 2014. With This song being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Gerald Barry, Barbara Hannigan, Peter Tantsits, Katalin Károlyi, Joshua Bloom, Birmingham Contemporary Music Group, Thomas Adès's "Gerald Barry: The Importance of Being Earnest (Live)" album is number 30 out of 37. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, The Importance of Being Earnest, Act III: Miss Prism! (Live) is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of The Importance of Being Earnest, Act III: Miss Prism! (Live) by Gerald Barry, Alan Ewing, Joseph Hart, Birmingham Contemporary Music Group, Thomas Adès to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Ghost Rags: No. 2. The Poltergeist | William Bolcom, Spencer Myer | E♭ Minor | 2 | 2A | 102 BPM | ||
Debussy: Syrinx, L. 129 | Claude Debussy, Emmanuel Pahud | B Major | 0 | 1B | 165 BPM | ||
Presto in C Major | Arnold Schoenberg, Quatuor Diotima | C Major | 1 | 8B | 79 BPM | ||
Pushkin's Garland: Reveille | Georgy Sviridov, Vladimir Minin, Moscow Chamber Choir | D♭ Major | 0 | 3B | 103 BPM | ||
African Suite: IV. Danse Negre | Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman | D Minor | 0 | 7A | 74 BPM | ||
The Intelligence Park, Act II: The Tawny Nassau Sun | Gerald Barry, Vincent Deane, Angela Tunstall, Buddug Verona James, Nicholas Clapton, Stephen Richardson, Almeida Ensemble, Robert Houlihan | B Major | 1 | 1B | 176 BPM | ||
Orawa | Unknown, Wojciech Kilar, Orchestra Sinfonia Varsovia | G Major | 4 | 9B | 97 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | ||
Bwv 639: Choral Ich Ruf Zu Dir, Herr Jesu Christ | Ton Koopman | F♯ Minor | 0 | 11A | 62 BPM | ||
Rückert-Lieder: Ich bin der Welt abhanden gekommen | Gustav Mahler, Anne Sofie von Otter, NDR Elbphilharmonie Orchester, John Eliot Gardiner | C Minor | 0 | 5A | 77 BPM |