Cole Porter, Lisa Kirk, Pembroke Davenport, Original Broadway Cast Orchestra made "Kiss Me, Kate: Always True to You (In My Fashion)" available on 1949. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Cole Porter, The Original Broadway Cast Of Kiss Me, Kate's "Kiss Me, Kate (Original Broadway Cast Recording)" album is number 13 out of 19. The popularity of Kiss Me, Kate: Always True to You (In My Fashion) is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Kiss Me, Kate: Always True to You (In My Fashion) by Cole Porter, Lisa Kirk, Pembroke Davenport, Original Broadway Cast Orchestra to be Presto (very, very fast) because the track has a tempo of 199 BPM, a half-time of 100BPM, and a double-time of 398 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Finale: The Writing On The Wall (Drood & Company) | Betty Buckley, Edwin Drood Original Broadway Cast | F♯ Minor | 2 | 11A | 72 BPM | ||
Betrayed | Nathan Lane | A♭ Major | 5 | 4B | 150 BPM | ||
Been a Long Day | Claudette Sutherland, Bonnie Scott, Robert Morse, How to Succeed in Business Without Really Trying Ensemble | E♭ Major | 2 | 5B | 128 BPM | ||
Anything Goes (with Vince Giordano & The Nighthawks) | Cole Porter, Vince Giordano, The Nighthawks | B♭ Major | 3 | 6B | 156 BPM | ||
Smile Girls - Bonus Track | Rose | C Major | 4 | 8B | 140 BPM | ||
Happy to Keep His Dinner Warm | Bonnie Scott, Claudette Sutherland | G Major | 2 | 9B | 94 BPM | ||
Metaphor | Kenneth Nelson, Rita Gardner | G Major | 3 | 9B | 80 BPM | ||
Bali Ha'i - (From the 20th Century-Fox film "South Pacific") | Bloody Mary, The Ken Darby Singers | C Major | 3 | 8B | 101 BPM | ||
This Is All Very New To Me | Barbara Cook, Original Broadway Cast 'Plain And Fancy' | D♭ Major | 3 | 3B | 135 BPM | ||
There Won't Be Trumpets | Lee Remick | F Major | 4 | 7B | 76 BPM |
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