Emmerich Kálmán, Hans Hagen, Vienna State Opera Orchestra's 'The Gypsy Princess: Weisst du es noch?' came out on January 18, 2019. The duration of The Gypsy Princess: Weisst du es noch? is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. The Gypsy Princess: Weisst du es noch?'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Emmerich Kálmán, Hans Hagen, Vienna State Opera Orchestra's "Kálmán: The Gypsy Princess (Highlights)" album is number 9 out of 13. In terms of popularity, The Gypsy Princess: Weisst du es noch? is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of The Gypsy Princess: Weisst du es noch? by Emmerich Kálmán, Hans Hagen, Vienna State Opera Orchestra to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quecksilber (Polka schnell) | Carl Millöcker, Nürnberger Philharmoniker, Christian Simonis | C Major | 3 | 8B | 73 BPM | ||
Barcarolle: Schöne Nacht, du Liebesnacht - Hoffmanns Erzählungen | Jacques Offenbach, Jesús López-Cobos, Hei-Kyung Hong, Jennifer Larmore, Munich Radio Orchestra | D Major | 2 | 10B | 81 BPM | ||
Bahn frei - Polka Galop, Op. 45 | Eduard Strauss, Wiener Philharmoniker, Willi Boskovsky | B♭ Major | 7 | 6B | 148 BPM | ||
Las Golondrinas, III parte: "Pantomima" | Coro del Gran Teatro Lírico de Bacelona, Orquesta del Gran Teatro del Liceo de Barcelona | E♭ Major | 2 | 5B | 129 BPM | ||
Gold und Silber op. 79 (Walzer) | Großes Wiener Funkorchester | G Major | 3 | 9B | 147 BPM | ||
The Csardas Princess, Act 2: Foolish Life | Emmerich Kálmán, Orchestra Of The State Operetta Theater, Tamás Bródy | D♭ Major | 5 | 3B | 126 BPM | ||
Kanon Galop (1853) | Hans Christian Lumbye, Tivoli Symphony Orchestra | E Major | 4 | 12B | 150 BPM | ||
Hänsel und Gretel: Der Hexenritt (Ausschnitt) | Marko Simsa | F Major | 2 | 7B | 74 BPM | ||
Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Vorspiel | Peter Kiesewetter, Heinz Rühmann, Symphonieorchester des Bayerischen Rundfunks | A Major | 1 | 11B | 38 BPM | ||
The Bohemian Girl - Arr. By Karel Mark Chichon: I Dreamt I Dwelt In Marble Halls | Michael William Balfe, Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | D Major | 1 | 10B | 87 BPM |
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