Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth made "Kapitel 55.3 - Wie Google tickt - How Google Works" available on January 8, 2015. The duration of Kapitel 55.3 - Wie Google tickt - How Google Works is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Kapitel 55.3 - Wie Google tickt - How Google Works's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #124 out of 208 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Kapitel 55.3 - Wie Google tickt - How Google Works is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Kapitel 55.3 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth has a tempo of 96 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Kapitel 55.3 - Wie Google tickt - How Google Works being at 96 BPM, the half-time would be 48 BPM with a double-time of 192 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2, Op. 52, "Lobgesang": X. Schlusschor: Ihr Völker! Bringet her dem Herrn | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi, Zürcher Sing-Akademie, Florian Helgath | E Major | 1 | 12B | 72 BPM | ||
The Pirates of Penzance: Climbing Over Rocky Mountain | Patricia Cameron, Pauline Birchall | C Major | 1 | 8B | 59 BPM | ||
Stabat Mater, Op. 58, B. 71: X. Quando corpus morietur. Andante con moto | Antonín Dvořák, Eva Urbanova, Marta Benackova, John Uhlenhopp, Peter Mikuláš, Prague Symphony Orchestra, Bambini Di Praga, Prague Philharmonic Choir, Jiří Bělohlávek, Blanka Kulínská, Jaroslav Brych | B Major | 2 | 1B | 76 BPM | ||
Romanzen, Book 1, Op. 69: No. 5. Meerfey | Robert Schumann, Aquarius, Marc Michael de Smet | G Minor | 0 | 6A | 75 BPM | ||
Mass in C minor, K.427 "Grosse Messe": 1. Kyrie | Wolfgang Amadeus Mozart, Helen Donath, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | C Minor | 2 | 5A | 112 BPM | ||
Gypsy Songs, Op. 55: No. 4, Když Mne Stará Matka Zpívat | Charlotte Hoather | D Major | 1 | 10B | 67 BPM | ||
HFTEPX | KNOXVILLETRACKZ | D Minor | 0 | 7A | 65 BPM | ||
Messa di Gloria: XIV. Et unam, sanctam | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Orfeó Català, Pablo Larraz | A♭ Major | 1 | 4B | 70 BPM | ||
Mozart: Das Traumbild, K. 530 | Wolfgang Amadeus Mozart, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Handel: Solomon, HWV 67, Act 3: Air. "Ev'ry Sight These Eyes Behold" (Queen of Sheba) | George Frideric Handel, Kathleen Battle, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 2 | 7B | 118 BPM |
Section: 1.5800318717956543
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