"Chain 2: III. Ad libitum" by Witold Lutosławski, Edward Gardner, BBC Symphony Orchestra, Tasmin Little was released on March 1, 2013. Chain 2: III. Ad libitum is about six minutes long, preciously at 5:45, making this song fairly long compared to other songs. The track order of this song in Witold Lutosławski, Edward Gardner, BBC Symphony Orchestra, Tasmin Little, Michael Collins's "Lutosławski: Symphony No. 1, Partita, Chain 2 & Preludia Taneczne" album is number 12 out of 18. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Chain 2: III. Ad libitum is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Chain 2: III. Ad libitum by Witold Lutosławski, Edward Gardner, BBC Symphony Orchestra, Tasmin Little to be Vivace (lively and fast) because the track has a tempo of 168 BPM, a half-time of 84BPM, and a double-time of 336 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
The music key of this track is A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Histoire du soldat Suite (The Soldier's Tale Suite): I. The Soldier's March | Igor Stravinsky, Rolf Schulte, William Blount, Christopher Gekker, Michael Powell, Frank Morelli, John Feeney, Gordon Gottlieb, Robert Craft | D Major | 2 | 10B | 121 BPM | ||
Variations & Fugue on a Theme of Mozart, Op. 132: Var. 3, Con moto | Max Reger, Dresdner Philharmonie, Jörg-Peter Weigle | C Minor | 2 | 5A | 89 BPM | ||
Symphony No. 4 in F Minor Op. 36: II. Andantino in modo di canzona - Piu mosso | Pyotr Ilyich Tchaikovsky, Tokyo Symphony Orchestra, Jonathan Nott | B♭ Minor | 0 | 3A | 131 BPM | ||
Serenade, Op. 1: II. Andante con moto | Samuel Barber, Royal Scottish National Orchestra, Marin Alsop | D♭ Major | 0 | 3B | 83 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: II. Molto rallentando | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Major | 2 | 12B | 76 BPM | ||
Piano Concerto No. 2 in C Minor: III. Andante | Emil von Sauer, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas | A Minor | 1 | 8A | 91 BPM | ||
Silesian Melodies (version for 4 violins): No. 3. — | Witold Lutosławski, Jadwiga Mackiewicz, Anna Kaczmarek, Justyna Jara, Julita Smolen, Anna Orlik | A Major | 8 | 11B | 110 BPM | ||
Sapho: Solitude | Jules Massenet, Munich Radio Orchestra, Herve Niquet | B♭ Major | 1 | 6B | 74 BPM | ||
Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Zwischenspiel No. 10, Waltz | Peter Kiesewetter, Heinz Rühmann, Symphonieorchester des Bayerischen Rundfunks | D♭ Major | 4 | 3B | 81 BPM | ||
Taktakishvili: Sonata: Aria: Moderato con moto | Otar Taktakishvili, Brian Luce, Rex Woods | D Minor | 1 | 7A | 95 BPM |
Section: 1.2377204895019531
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