"DAVID: 1. The Battle to Come, 2. Psalm 30 v5" by Stephen Melillo, Stephen Melillo/Marine Band of the Royal Netherlands Navy was released on January 1, 1997. The duration of DAVID: 1. The Battle to Come, 2. Psalm 30 v5 is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. DAVID: 1. The Battle to Come, 2. Psalm 30 v5's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "STORMWORKS Chapter 3: Wait of the World". In this album, this song's track order is #5. DAVID: 1. The Battle to Come, 2. Psalm 30 v5 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With DAVID: 1. The Battle to Come, 2. Psalm 30 v5 by Stephen Melillo, Stephen Melillo/Marine Band of the Royal Netherlands Navy having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
New Kingdom | Jane Emmerson | B♭ Minor | 3 | 3A | 120 BPM | ||
Concerto pour trombone et orchestre: III. Finale: Maestoso - Rondo | Launy Grøndahl, Orchestre Symphonique Français, Laurent Petitgirard, Jacques Mauger | F♯ Major | 0 | 2B | 120 BPM | ||
La toute petite s'endort (arr. for brass ensemble by Jarle Storløkken) | Mel Bonis, tenThing, Tine Thing Helseth | A Minor | 0 | 8A | 66 BPM | ||
Radiant Shadows | Julie Giroux, University of North Texas Symphonic Band, Dennis Fisher | F Minor | 1 | 4A | 73 BPM | ||
Candide Suite (arr. C. Grundman for wind band): I. The Best of All Possible Worlds | Leonard Bernstein, Clare Grundman, University of South Carolina Wind Ensemble, Scott Weiss | E♭ Major | 2 | 5B | 127 BPM | ||
Time to Take Back the Knights! (aka The Chosen) | Stephen Melillo, Stephen Melillo/Marine Band of the Royal Netherlands Navy | F Major | 2 | 7B | 92 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25 "Classical": II. Larghetto | Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg | D Minor | 1 | 7A | 105 BPM | ||
Smiling After the Rain | Yukiko Nishimura, Trade Winds Recording Ensemble | F Major | 1 | 7B | 108 BPM | ||
Dr. Merryheart: V. Variation 4: Merryheart As a Chivalrous Knight Chases Bluebeard (Als ritterlicher Kampe verfolgt Merryheart den Blaubart) | RTÉ National Symphony Orchestra, Havergal Brian | F Major | 2 | 7B | 92 BPM | ||
Gil Blas: Theme. Allegro vivo | Jules Strens, Matty Cilissen, Royal Band of the Belgian Air Force | F Minor | 0 | 4A | 176 BPM |
Section: 0.5925757884979248
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