- BPM
- 75
- Key
- D Minor
- Camelot
- 7A
6 Épigraphes antiques, L. 131: IV. Pour la danseuse aux crotales - Claude Debussy, Anne Queffélec, Gaspard Dehaene Information
- Acousticness
- 99%
- Danceability
- 39%
- Energy
- 2%
- Instrumentalness
- 83%
- Liveness
- 9%
- Loudness
- 53%
- Speechiness
- 5%
- Valence
- 16%
- Popularity
- 4%
- Loudness
- -27.978 dB
Summary
"6 Épigraphes antiques, L. 131: IV. Pour la danseuse aux crotales" by Claude Debussy, Anne Queffélec, Gaspard Dehaene was released on January 13, 2017. The duration of 6 Épigraphes antiques, L. 131: IV. Pour la danseuse aux crotales is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. 6 Épigraphes antiques, L. 131: IV. Pour la danseuse aux crotales's duration is considered a little bit shorter than the average duration of a typical track. The song is number 22 out of 24 in Entrez dans la danse... by Anne Queffélec, Gaspard Dehaene. 6 Épigraphes antiques, L. 131: IV. Pour la danseuse aux crotales is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
6 Épigraphes antiques, L. 131: IV. Pour la danseuse aux crotales BPM
The tempo marking of 6 Épigraphes antiques, L. 131: IV. Pour la danseuse aux crotales by Claude Debussy, Anne Queffélec, Gaspard Dehaene is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
6 Épigraphes antiques, L. 131: IV. Pour la danseuse aux crotales Key
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Scriabin: 24 Preludes, Op. 11: No. 1 in C Major | Alexander Scriabin, Mikhail Pletnev | C Major | 1 | 8B | 63 BPM | |
 | Carnival of the Animals: The Swan | Camille Saint-Saëns, Isata Kanneh-Mason, Jeneba Kanneh-Mason, Sheku Kanneh-Mason | G Major | 1 | 9B | 65 BPM | |
 | 16 Waltzes, Op. 39 (1867 version): No. 3 in G-Sharp Minor | Johannes Brahms, Idil Biret | A♭ Minor | 0 | 1A | 124 BPM | |
 | Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | |
 | Debussy: 2 Arabesques, CD 74, L. 66: No. 1, Andantino con moto | Claude Debussy, Simon Trpčeski | F♯ Minor | 0 | 11A | 132 BPM | |
 | Kitsch-Musik: III. Allegretto | Valentin Silvestrov, Elisaveta Blumina | E♭ Major | 0 | 5B | 65 BPM | |
 | The Hours: An Unwelcome Friend (From "The Hours") | Philip Glass, Nicolas Horvath | G Minor | 0 | 6A | 74 BPM | |
 | Bagatelle No. 25 in A Minor, WoO 59 "Für Elise" | Ludwig van Beethoven, Igor Levit | A Minor | 0 | 8A | 126 BPM | |
 | Waltz No. 19 in A Minor, KK IVb (Version for Harp in A Flat Minor) | Frédéric Chopin, Magdalena Hoffmann | A♭ Minor | 1 | 1A | 127 BPM | |
 | Nocturne No. 5 in B-Flat Major | John Field, Benjamin Frith | B♭ Major | 0 | 6B | 73 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6630022525787354
End: 0.6669855117797852