- BPM
- 120
- Key
- D♭ Major
- Camelot
- 3B
Man of La Mancha: Dialogue: May I set the stage? - Mitch Leigh, Plácido Domingo, Paul Gemignani, American Theatre Orchestra Information
- Acousticness
- 73%
- Danceability
- 70%
- Energy
- 2%
- Instrumentalness
- 0%
- Liveness
- 11%
- Loudness
- 52%
- Speechiness
- 29%
- Valence
- 42%
- Popularity
- 6%
- Loudness
- -29.015 dB
Summary
Mitch Leigh, Plácido Domingo, Paul Gemignani, American Theatre Orchestra made "Man of La Mancha: Dialogue: May I set the stage?" available on February 24, 1992. With Man of La Mancha: Dialogue: May I set the stage? being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Mitch Leigh, Studio Cast of Man of La Mancha (1990)'s "Man of La Mancha (Studio Cast Recording (1990))" album is number 2 out of 30. Based on our statistics, Man of La Mancha: Dialogue: May I set the stage?'s popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Man of La Mancha: Dialogue: May I set the stage? BPM
We consider the tempo marking of Man of La Mancha: Dialogue: May I set the stage? by Mitch Leigh, Plácido Domingo, Paul Gemignani, American Theatre Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
Man of La Mancha: Dialogue: May I set the stage? Key
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Lida Rose and Will I Ever Tell You | Meredith Willson | G Major | 2 | 9B | 113 BPM | |
 | The Song That Goes Like This - Original Broadway Cast Recording: "Spamalot" | Christopher Sieber, Sara Ramirez | F Major | 7 | 7B | 181 BPM | |
 | Jazz Baby | Carol Channing | C Major | 5 | 8B | 115 BPM | |
 | Kern: Very Warm for May, Act 1: "All the Things You Are" (Ogdon Quiler, Liz Spofford, Carroll, Charles) | Jerome Kern, John McGlinn, London Sinfonietta, Ambrosian Chorus, Jeanne Lehman, Cris Groenendaal, Rebecca Luker, George Dvorsky | B♭ Major | 3 | 6B | 90 BPM | |
 | Leaning On A Lamppost - Original Cast Recording/1986 | Robert Lindsay | F Major | 1 | 7B | 117 BPM | |
 | Peter's Lament | Peter Eksell | A Major | 4 | 11B | 75 BPM | |
| Seventy-Six Trombones | Meredith Willson | A♭ Major | 5 | 4B | 128 BPM | |
| Once You Lose Your Heart (Reprise) - Original Cast Recording/1986 | Original Broadway Cast: Me And My Girl | D♭ Major | 1 | 3B | 127 BPM | |
 | The Oldest Established Floating Crap Game in New York | Frank Sinatra (performer), Johnny Silver (performer), Stubby Kaye (performer) | G Major | 3 | 9B | 67 BPM | |
 | I Really Like Him | Ernie Sabella, Mary Elizabeth Mastrantonio | F Major | 3 | 7B | 137 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.5456132888793945
End: 0.5526492595672607