Astor Piazzolla, Tomás Cotik, Martingale Ensemble, Ken Selden's 'Suite Troileana: II. Zita (Arr. for Violin & String Orchestra by Ken Selden)' came out on April 26, 2024. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Piazzolla: Arrangements for Violin & String Orchestra". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Suite Troileana: II. Zita (Arr. for Violin & String Orchestra by Ken Selden)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Suite Troileana: II. Zita (Arr. for Violin & String Orchestra by Ken Selden) by Astor Piazzolla, Tomás Cotik, Martingale Ensemble, Ken Selden having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Come Thou Fount | Jan Mulder, London Symphony Orchestra | B♭ Major | 2 | 6B | 115 BPM | ||
Plastics and Mouthwash | Jeff Toyne | D Minor | 1 | 7A | 173 BPM | ||
Welcome to Pleasures | Paolo MIllon, Neon Lilith, Tommy F Besson, Metasymphony | F♯ Minor | 2 | 11A | 80 BPM | ||
Étagnac | John Lunn | B Major | 3 | 1B | 81 BPM | ||
Cuddling | Laurent Dury, Synchron Stage Orchestra, Gregor F. Narholz | A Minor | 2 | 8A | 95 BPM | ||
Sin Habilidades | Las Eternas | C Major | 5 | 8B | 112 BPM | ||
Attention | Leon Beehive | A Major | 1 | 11B | 111 BPM | ||
Orchestra Suite, Op. 13: VI. Sostenuto | Maria Herz, Rundfunk-Sinfonieorchester Berlin, Christiane Silber | B Minor | 1 | 10A | 113 BPM | ||
Enigma of the Sphinx | Alexander Johannes Uitz, Movie Music Titans | D Minor | 0 | 7A | 65 BPM | ||
Dark Dimensions | Debbie Wiseman | A Minor | 1 | 8A | 97 BPM |
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