"Lascia ch'io pianga (Let Me Weep) from "Rinaldo"" by George Frideric Handel, Charlotte Church, Sian Edwards was released on 1998. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 53 in the song's album "The Charlotte Church Collection". In this album, this song's track order is #5. Lascia ch'io pianga (Let Me Weep) from "Rinaldo" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Lascia ch'io pianga (Let Me Weep) from "Rinaldo" by George Frideric Handel, Charlotte Church, Sian Edwards having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Danny Boy - vocal | Frederick E. Weatherly, Charlotte Church, Sian Edwards | D Minor | 0 | 7A | 85 BPM | ||
Stölzel / Arr. Rombi: Bist du bei mir (Formerly Attributed to JS Bach as BWV 508, Arr. Rombi) | Gottfried Heinrich Stölzel, Natalie Dessay, Philippe Rombi, Orchestre Symphonique Bel Arte | D Major | 1 | 10B | 170 BPM | ||
Oblivion | Astor Piazzolla, Sissel, London Symphony Orchestra | F♯ Minor | 3 | 11A | 85 BPM | ||
No. 21 - In trutina from Carmina Burana - Vocal | Carl Orff, Charlotte Church, Sian Edwards | F Major | 0 | 7B | 91 BPM | ||
Mozart: Ave verum corpus, K. 618 | Wolfgang Amadeus Mozart, William Christie, Choeur des Arts Florissants, Les Arts Florissants | D♭ Major | 0 | 3B | 170 BPM | ||
Messiah / Part 2: "The Lord gave the word" | George Frideric Handel, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 5 | 6B | 98 BPM | ||
Comfort Ye My People-Ev'ry Valley | London Philharmonic Orchestra | E Major | 2 | 12B | 84 BPM | ||
Ave Maria | Johann Sebastian Bach, Charles Gounod, Eugene Ormandy, Philadelphia Orchestra | F Major | 1 | 7B | 125 BPM | ||
Rachmaninov: Vespers, Op. 37: VI. Bogoroditse Devo | Sergei Rachmaninoff, Tõnu Kaljuste, Nils Högman, Per Björsund, Swedish Radio Choir | A Major | 3 | 11B | 106 BPM | ||
Salve Regina | Libera | F♯ Major | 2 | 2B | 100 BPM |
Section: 0.6091327667236328
End: 0.6132082939147949