David Allen, Jürgen Kalwa made "Kapitel 129 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag" available on 2011. The duration of Kapitel 129 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag is about 3 minutes long, at 3:04. Based on our data, "Kapitel 129 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in David Allen's "Ich schaff das! (Ungekürzt)" album is number 59 out of 210. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Kapitel 129 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Kapitel 129 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag by David Allen, Jürgen Kalwa to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Donizetti: Lucia di Lammermoor, Act 1: "Cruda, funesta smania" (Enrico, Normanno, Raimondo) | Gaetano Donizetti, Jesús López-Cobos, Münchener Opernorchester | G Major | 3 | 9B | 133 BPM | ||
Lucia di Lammermoor, Act I: Cruda, funesta smania | Gaetano Donizetti, Stefano Antonucci, Didier Pieri, Mariano Buccino, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | G Major | 3 | 9B | 72 BPM | ||
Bellini: Norma, Act 1: "Odi?... I suoi riti a compiere" (Flavio, Chorus, Pollione) | Vincenzo Bellini, Piero de Palma, Coro Del Teatro Alla Scala Di Milano, Franco Corelli, Noberto Mola, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | E♭ Major | 3 | 5B | 129 BPM | ||
Kapitel 185 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag | David Allen, Jürgen Kalwa | F♯ Major | 3 | 2B | 64 BPM | ||
Four Last Songs, Op. posth., TrV 296: III. Beim Schlafengehen | Richard Strauss, Jaime Martin, Siobhan Stagg, Melbourne Symphony Orchestra | F Major | 1 | 7B | 67 BPM | ||
Maria Stuarda: Act I Scene 2: Si, vuol di Francia il Rege (Elisabetta) | Gaetano Donizetti, Carmela Remigio, Sonia Ganassi, Joseph Calleja, Riccardo Zanellato, Marzio Giossi, Cinzia Rizzone, Circuito Lirico Regional Chorus, Fondazione Orchestra Gaetano Donizetti Di Bergamo, Fabrizio Maria Carminati | B♭ Major | 0 | 6B | 90 BPM | ||
Medea (Medee) (Sung in Italian): Act II: Introduction | Luigi Cherubini, Nicola Zaccaria, Joan Carlyle, Jon Vickers, Maria Callas, Fiorenza Cossotto, David Allen, Mary Wells, Elizabeth Rust, Royal Opera House Chorus, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Nicola Rescigno | D♭ Major | 2 | 3B | 91 BPM | ||
Kapitel 139 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag | David Allen, Jürgen Kalwa | D♭ Major | 3 | 3B | 138 BPM | ||
Raised High | Rob Jacobs, Andrew Clinkman, Phil Sudderberg, David Allen | E Major | 6 | 12B | 76 BPM | ||
8 Gedichte aus 'Letzte Blätter', Op. 10, TrV 141: No. 8, Allerseelen (Arr. R. Heger for Soprano & Orchestra) | Richard Strauss, Hanna-Elisabeth Müller, WDR Sinfonieorchester Köln, Christoph Eschenbach | B♭ Major | 0 | 6B | 82 BPM |
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