Paula Williams, The Touch made "What You've Done for Me (feat. the Touch)" available on May 22, 2013. The duration of What You've Done for Me (feat. the Touch) is about 3 minutes long, at 3:27. Based on our data, "What You've Done for Me (feat. the Touch)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of You're the Reason by Paula Williams. The song's track number on the album is #1 out of 10 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, What You've Done for Me (feat. the Touch)'s popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since What You've Done for Me (feat. the Touch) by Paula Williams, The Touch has a tempo of 125 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With What You've Done for Me (feat. the Touch) being at 125 BPM, the half-time would be 62 BPM with a double-time of 250 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Grieg: Suite No. 1 from Peer Gynt, Op. 46: II. The Death of Åse | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra | G Major | 0 | 9B | 118 BPM | ||
Arsinius, Pt. 4 | Lofi Mars | F♯ Minor | 2 | 11A | 116 BPM | ||
3 Pieces in Old Style: No. 1. Aria | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | G Minor | 0 | 6A | 85 BPM | ||
DANCE: III. in the middle of the fighting | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | A Minor | 1 | 8A | 82 BPM | ||
Sensaciones Al Limite | Las Guerreras | B Minor | 0 | 10A | 119 BPM | ||
The Mordrem | Maclaine Diemer | E♭ Major | 0 | 5B | 150 BPM | ||
Moonlight Serenade | Klaus Badelt | A Minor | 3 | 8A | 131 BPM | ||
Gayaneh, Ballet Suite: Gayaneh's Adagio | Aram Khachaturian, Bolshoi Theatre Orchestra, Yevgeny Svetlanov | A Major | 1 | 11B | 105 BPM | ||
That's Just How You Love Me | Paula Williams | G Minor | 5 | 6A | 125 BPM | ||
今天 | 郭天嘉 | D♭ Major | 6 | 3B | 146 BPM |
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