"The Hours: Something She Has to Do (From "The Hours")" by Philip Glass, Nicolas Horvath was released on June 10, 2016. The duration of The Hours: Something She Has to Do (From "The Hours") is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. The Hours: Something She Has to Do (From "The Hours")'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Philip Glass: Glassworlds, Vol. 4 – On Love". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Hong Kong. The Hours: Something She Has to Do (From "The Hours") is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Hours: Something She Has to Do (From "The Hours") by Philip Glass, Nicolas Horvath having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
1.5 Menuetts | Peter Gregson | G Major | 1 | 9B | 132 BPM | ||
Naive Music: No. 2. Nocturne | Valentin Silvestrov, Elisaveta Blumina | B♭ Major | 0 | 6B | 68 BPM | ||
III. Plainchant | Peter Gregson, Warren Zielinski, Magdalena Filipczak, Laurie Anderson, Ashok Klouda | E♭ Minor | 0 | 2A | 111 BPM | ||
6 Friends: For Rosemary | Ned Rorem, Carolyn Enger | D Minor | 0 | 7A | 0 BPM | ||
Love's Labour's Lost, Op. 28a: II. Longaville's Sonnet | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | D Minor | 0 | 7A | 94 BPM | ||
Passage | Joep Beving | G Major | 0 | 9B | 60 BPM | ||
Recomposed By Max Richter: Vivaldi, The Four Seasons: Autumn 2 - 2012 | Max Richter, Daniel Hope, Raphael Alpermann, Konzerthaus Kammerorchester Berlin, Andre de Ridder | D Major | 1 | 10B | 88 BPM | ||
24 Preludes for Violin and Piano, Op. 46: No. 8 Andante | Lera Auerbach, Daniel Hope, Jacques Ammon | D Major | 0 | 10B | 82 BPM | ||
Phonometrician | Elena Kats-Chernin, Tamara Anna Cislowska | E Minor | 0 | 9A | 71 BPM | ||
Vladimir's Blues 2018 | Max Richter | A Major | 2 | 11B | 99 BPM |
Section: 0.5531322956085205
End: 0.557314395904541