Johann Sebastian Bach, Knaben des Kölner Domchores, Dresdner Kammerchor, Kolner Kammerorchester, Helmut Muller-Bruhl made "Matthäuspassion, BWV 244: Chorale: Ich will hier bei dir stehen (Chorus I and II)" available on November 1, 2005. With Matthäuspassion, BWV 244: Chorale: Ich will hier bei dir stehen (Chorus I and II) being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Sebastian Bach, Kolner Kammerorchester, Helmut Muller-Bruhl's "J.S. Bach: Matthäuspassion, BWV 244" album is number 17 out of 68. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Matthäuspassion, BWV 244: Chorale: Ich will hier bei dir stehen (Chorus I and II) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Matthäuspassion, BWV 244: Chorale: Ich will hier bei dir stehen (Chorus I and II) by Johann Sebastian Bach, Knaben des Kölner Domchores, Dresdner Kammerchor, Kolner Kammerorchester, Helmut Muller-Bruhl to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I. Ich Hab In Gottes Herz Und Sinn BWV 92, Choral (Alto): Zudem Ist Weisheit Und Verstand | Pieter Jan Leusink, Johann Sebastian Bach, Sytse Buwalda, Knut Schoch, Ofer Frenkel, Holland Boys Choir; Netherlands Bach Collegium, D'amore, Bas Ramselaar, Peter Frankenberg, Ruth Holton, Frank Wakelkamp | A Major | 2 | 11B | 172 BPM | ||
Sei gegrüsset, Jesu gütig, BWV 410 | Johann Sebastian Bach, Ophira Zakai, Vocalconsort Berlin, Daniel Reuss, Elina Albach | A Major | 2 | 11B | 98 BPM | ||
St. Matthew Passion, BWV 244 / Part Two: No. 44 Choral: "Befiehl du deine Wege" | Johann Sebastian Bach, Thomanerchor Leipzig, Tölzer Knabenchor, Gewandhausorchester, Riccardo Chailly | D Major | 0 | 10B | 139 BPM | ||
I. Christ Lag In Todes Banden BWV 4, 3. Duetto (Soprano, Alto) (Versus II): Den Tod Niemand Zwingen Kunnt | Holland Boys Choir, Netherlands Bach Collegium, Johann Sebastian Bach, Sytse Buwalda, Frank Wakelkamp, Nico Van Der Meel, Rien Voskuilen, Bas Ramselaar, Ruth Holton, Pieter Jan Leusink | B Major | 1 | 1B | 71 BPM | ||
Concerto For 2 Keyboards in C Major, BWV 1061: III. Vivace | Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Johann Sebastian Bach | A Minor | 3 | 8A | 98 BPM | ||
Matthäus Passion, BWV 244, Pt. 1: I. Chorus with Chorale I/II, Kommt, ihr Töchter, helft mir klagen | Johann Sebastian Bach, Rufus Müller, Richard Jackson, Nancy Argenta, Lynda Lee, Jonathan Peter Kenny, Jamie MacDougall, Stephen Varcoe, Paul Goodwin, Jonathan Miller | E♭ Minor | 1 | 2A | 113 BPM | ||
I. Herz Und Mund Und Tat Und Leben BWV 147, Prima Parte, 1. Coro: Herz Und Mund Und Tat Und Leben | Pieter Jan Leusink, Holland Boys Choir, Netherlands Bach Collegium, Susan Williams, Peter Frankenberg, Eduard Wesley, Bas Ramselaar, Johann Sebastian Bach, Sytse Buwalda, Knut Schoch, Ruth Holton | B Major | 3 | 1B | 90 BPM | ||
Herzlich Thut Mich Verlangen, Weihnachtsoratorium Bwv 248 | Nicol Matt, Martina Rotbauer, Ute Petersilge, Nordic Chamber Choir, Heike Hümmer, Jörg Halobek, Soloist Of The Freiburger Barockorchester, Jens Wollenschläger, Johann Sebastian Bach, Robert Sagasser | A♭ Minor | 2 | 1A | 89 BPM | ||
Komm, Jesu, komm, BWV 229: I. Komm, Jesu, komm | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Dorothee Mields, Damien Guillon, Thomas Hobbs, Peter Kooij, Maria Keohane, Robin Blaze, Hans-Jörg Mammel, Stephan MacLeod | A Major | 2 | 11B | 81 BPM | ||
O Ewigkeit, du Donnerwort, BWV 397 | Johann Sebastian Bach, Ophira Zakai, Vocalconsort Berlin, Daniel Reuss, Elina Albach | E Major | 2 | 12B | 79 BPM |
Section: 0.5748937129974365
End: 0.5798695087432861