"Puer qui natus est nobis - Introitus/In Nativitate Domini ad Missam in die" by Gregorian Chant, Choralschola der Wiener Hofburgkapelle, Hubert Dopf S.J. was released on January 1, 1986. The duration of Puer qui natus est nobis - Introitus/In Nativitate Domini ad Missam in die is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Puer qui natus est nobis - Introitus/In Nativitate Domini ad Missam in die's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gregorian Chant, Choralschola der Wiener Hofburgkapelle, Hubert Dopf S.J.'s "Gregorian Chant: Hymns and Vespers for the Feast of the Nativity" album is number 2 out of 22. Puer qui natus est nobis - Introitus/In Nativitate Domini ad Missam in die is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Puer qui natus est nobis - Introitus/In Nativitate Domini ad Missam in die by Gregorian Chant, Choralschola der Wiener Hofburgkapelle, Hubert Dopf S.J. to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dans la joie de Pâques : Offertoire Terra Tremuit | Dom Le Feuvre, Choeur des Bénédictins de l'Abbaye de Kergonan, Congrégation de Solesme | G Major | 1 | 9B | 138 BPM | ||
Missa Kyrie fons bonitatisIV. Sanctus | Gregorian Chants, Karel Frana, Boni Puncti | F♯ Minor | 6 | 11A | 80 BPM | ||
Regina Mundi | Monks Of The Abbey Of Notre Dame | B Major | 1 | 1B | 133 BPM | ||
Office of Readings: V. Psalm 23 | The Benedictine Monks of Worth Abbey | E♭ Major | 0 | 5B | 79 BPM | ||
Asperges Me | Cantores 'Regina Caeli' | F♯ Major | 1 | 2B | 144 BPM | ||
Ego Sum Panis Vivus (feat. Juan Esquivel) | The Schola Cantorum of St. John XXIII Parish, Juan Esquivel | E Minor | 3 | 9A | 79 BPM | ||
Messe cum jubilo: Kyrie IX | Ars Veritas | F♯ Minor | 4 | 11A | 135 BPM | ||
Missa orbis factor - Agnus Dei | Nova Schola Gregoriana, Alberto Turco | E♭ Major | 0 | 5B | 136 BPM | ||
Compostela "Ad vesperas Sancti Iacobi": XI. Benedicamus Domino "Deo Gracias" | Codex Calixtinus, Ensemble Organum, Marcel Pérès | C Major | 1 | 8B | 106 BPM | ||
Concordi laetitia | The Benedictine Abbey of Saint Benôit-Du-Lac, Dom André Saint-Cyr | A♭ Major | 0 | 4B | 134 BPM |
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