Silvius Leopold Weiss, Lutz Kirchhof made "Suite in A Major (L'Esprit italien): IV. Gavotte" available on 1992. With Suite in A Major (L'Esprit italien): IV. Gavotte being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Weiss: Lute Works, Vols. I & II by Silvius Leopold Weiss, Lutz Kirchhof. The song's track number on the album is #4 out of 47 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Suite in A Major (L'Esprit italien): IV. Gavotte's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Suite in A Major (L'Esprit italien): IV. Gavotte by Silvius Leopold Weiss, Lutz Kirchhof has a tempo of 138 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Suite in A Major (L'Esprit italien): IV. Gavotte being at 138 BPM, the half-time would be 69 BPM with a double-time of 276 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Retrouvé | Monsieur de Sainte-Colombe, Hille Perl | D♭ Minor | 0 | 12A | 82 BPM | ||
Sonata for violoncello and basso continuo in G Major, WKO 147: III. Rondeau | Carl Friedrich Abel, Elinor Frey, Lorenzo Ghielmi | F♯ Major | 2 | 2B | 147 BPM | ||
Pour le piano, L. 95: II. Sarabande (Transcr. Y. Kondonassis) | Claude Debussy, Yolanda Kondonassis | E♭ Major | 0 | 5B | 107 BPM | ||
Guitar Sonata No. 2 in A Major, MS 84 | Niccolò Paganini, Mauro Bonelli | A♭ Major | 2 | 4B | 120 BPM | ||
A Sonata of Scots Tunes: IV. Cromlit's Lilt (Largo) | James Oswald, La Rêveuse, Florence Bolton, Benjamin Perrot | B Major | 2 | 1B | 143 BPM | ||
Deux pièces en fa majeur: II. Ciacconna (II: 77-80) | Silvius Leopold Weiss, Bernhard Hofstötter, Dolores Costoyas | D♭ Minor | 1 | 12A | 90 BPM | ||
Ayres for the Violin (arr. for guitar): Aria I | Nicola Matteis, Pierre Pitzl | B Minor | 2 | 10A | 86 BPM | ||
Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: I. Adagio | Dietrich Becker, La Rêveuse, Florence Bolton, Sébastien Wonner, Benjamin Perrot | D♭ Major | 1 | 3B | 90 BPM | ||
Lute Sonata No. 11 in D Minor: III. Courante | Silvius Leopold Weiss, Robert Barto | A♭ Minor | 1 | 1A | 153 BPM | ||
Dernière courente de Gautier | Denis Gaultier, Bernhard Hofstötter | D♭ Minor | 1 | 12A | 148 BPM |
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