Philip Lane, Royal Ballet Sinfonia, Gavin Sutherland made "Suite Of Cotswold Folk Dances (1978): Princess Royal" available on January 1, 2007. The duration of Suite Of Cotswold Folk Dances (1978): Princess Royal is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Suite Of Cotswold Folk Dances (1978): Princess Royal's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 46 in the song's album "The British Light Music Collection 1". In this album, this song's track order is #26. In terms of popularity, Suite Of Cotswold Folk Dances (1978): Princess Royal is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Suite Of Cotswold Folk Dances (1978): Princess Royal by Philip Lane, Royal Ballet Sinfonia, Gavin Sutherland having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Barocco Suite No. 5 for Chamber Orchestra, Op. 23: IV. Pastorale e Gagliarda | Kurt Atterberg, Örebro Chamber Orchestra, Thord Svedlund, Mikael Bergek | A Major | 0 | 11B | 74 BPM | ||
Over the Stone: IV. Crossing the Stone | Karl Jenkins, Alis Huws, Coronation Orchestra, Antonio Pappano | F Minor | 1 | 4A | 63 BPM | ||
Capriol Suite: V. Pieds-en-l'air | Peter Warlock, Büyükada Ensemble, James Ross | G Major | 2 | 9B | 142 BPM | ||
The Banks of Green Willow | George Butterworth, Royal Liverpool Philharmonic Orchestra, Grant Llewellyn | A Minor | 0 | 8A | 71 BPM | ||
Charterhouse Suite: Rondo | Ralph Vaughan Williams, English Northern Philharmonia, David Lloyd-Jones | C Major | 1 | 8B | 55 BPM | ||
25 Études faciles et progressives, Op. 100: No. 19, Ave Maria | Franz Burgmüller, The Gerst Ensemble | C Major | 0 | 8B | 124 BPM | ||
Poet and Peasant: Overture | Franz von Suppé, Detroit Symphony Orchestra, Paul Paray | A Major | 3 | 11B | 81 BPM | ||
Spring Waters | Philip Lane | C Major | 1 | 8B | 170 BPM | ||
Country Gardens: English Morris Dance Tune (Stokowski version, 1950) | Percy Grainger, City Of Birmingham Symphony Orchestra, Sir Simon Rattle | E♭ Major | 1 | 5B | 137 BPM | ||
Pelleas et Melisande Suite, Op. 80: III. Sicilienne | Gabriel Fauré, RTE Sinfonietta, John Georgiadis | E♭ Major | 0 | 5B | 116 BPM |
Section: 0.694615364074707
End: 0.6988065242767334