Claude Debussy, Pierre-Laurent Aimard's 'Préludes - Book 2, L.123: 9. Hommage à S. Pickwick, Esq., P.P.M.P.C.' came out on July 11, 2020. The duration of Préludes - Book 2, L.123: 9. Hommage à S. Pickwick, Esq., P.P.M.P.C. is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Préludes - Book 2, L.123: 9. Hommage à S. Pickwick, Esq., P.P.M.P.C.'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 39 out of 74 in Debussy - Time by Claude Debussy. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Préludes - Book 2, L.123: 9. Hommage à S. Pickwick, Esq., P.P.M.P.C. is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Préludes - Book 2, L.123: 9. Hommage à S. Pickwick, Esq., P.P.M.P.C. by Claude Debussy, Pierre-Laurent Aimard is Larghetto (rather broadly), since this song has a tempo of 61 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade in C Major, Op. 48: III. Elegie | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | D Major | 1 | 10B | 89 BPM | ||
Preludes, Book 1: No. 10: La cathedrale engloutie | Claude Debussy, François-Joël Thiollier | C Major | 0 | 8B | 65 BPM | ||
Salut d'Amour, Op. 12 | Edward Elgar, Yo-Yo Ma, Kathryn Stott | D Major | 0 | 10B | 73 BPM | ||
The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
Lieder ohne Worte, Book 2, Op. 30: No. 6 in F-Sharp Minor, MWV U110 "Venetianisches Gondelleid" | Felix Mendelssohn, Denis Kozhukhin | F♯ Minor | 0 | 11A | 67 BPM | ||
13 Pieces for Piano, Op. 76: Elegiaco, No. 10 | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 169 BPM | ||
Stille Musik: 3. Augenblicke der Serenade | Valentin Silvestrov | C Major | 0 | 8B | 86 BPM | ||
Solfeggio in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Matthias Veit | F Minor | 1 | 4A | 77 BPM | ||
Lullaby, Op. 57 No. 2 (Arr. for Cello & Piano) | Cyril Scott, Richard Jenkinson, Benjamin Frith | D Major | 0 | 10B | 91 BPM |
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