- BPM
- 135
- Key
- F♯ Minor
- Camelot
- 11A
Requiem, Op. 9: Libera me - Maurice Duruflé, Okka von der Damerau, Ljubomir Puškarić, Uladzimir Sinkevich, Bavarian Radio Chorus, Munich Radio Orchestra, Max Hanft, Ivan Repušić Information
- Acousticness
- 97%
- Danceability
- 17%
- Energy
- 18%
- Instrumentalness
- 78%
- Liveness
- 8%
- Loudness
- 69%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 6%
- Loudness
- -18.373 dB
Summary
"Requiem, Op. 9: Libera me" by Maurice Duruflé, Okka von der Damerau, Ljubomir Puškarić, Uladzimir Sinkevich, Bavarian Radio Chorus, Munich Radio Orchestra, Max Hanft, Ivan Repušić was released on September 15, 2017. Requiem, Op. 9: Libera me is about six minutes long, preciously at 5:32, making this song fairly long compared to other songs. The song is number 8 out of 12 in Duruflé: Requiem - Respighi: Concerto gregoriano by Okka von der Damerau, Ljubomir Puškarić, Henry Raudales, Ivan Repušić. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Requiem, Op. 9: Libera me's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Requiem, Op. 9: Libera me BPM
The tempo marking of Requiem, Op. 9: Libera me by Maurice Duruflé, Okka von der Damerau, Ljubomir Puškarić, Uladzimir Sinkevich, Bavarian Radio Chorus, Munich Radio Orchestra, Max Hanft, Ivan Repušić is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Requiem, Op. 9: Libera me Key
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Surrexit Christus hodie | Samuel Scheidt, Vox Luminis, Lionel Meunier | G Minor | 1 | 6A | 79 BPM | |
 | Quatre petites prières de Saint François d’ Assise: III. Seigneur, je vous en prie | Francis Poulenc, Netherlands Chamber Choir | G Major | 2 | 9B | 169 BPM | |
 | Duruflé: Messe cum jubilo, Op. 11 (Version with Orchestra): VI. Agnus Dei | Maurice Duruflé, Michel Plasson, Orchestre National Du Capitole De Toulouse | D Major | 0 | 10B | 84 BPM | |
 | Quam pulchra es, JD 44 | John Dunstable, Tonus Peregrinus, Antony Pitts | B♭ Major | 1 | 6B | 125 BPM | |
 | Missa Azzolina: Agnus Dei | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | A Major | 1 | 11B | 78 BPM | |
 | Requiem in D Minor, K. 626 (Paris 1804 Version): I. Introït | Niccolò Jommelli, Chantal Santon Jeffery, Éléonore Pancrazi, Chœur De Chambre De Namur, Le Concert de la Loge, Julien Chauvin | E Minor | 0 | 9A | 88 BPM | |
 | All-Night Vigil, Op. 37: Hexapsalms | Sergei Rachmaninoff, State Symphony Capella of Russia, Valery Polyansky | B Major | 1 | 1B | 126 BPM | |
 | Tallis: Sancte Deus - 4. Quia Per Crucem Tuam | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 137 BPM | |
 | Enigma Variations. Nimrod: Lux Aeterna | Edward Elgar, London Choral Sinfonia | E Major | 1 | 12B | 87 BPM | |
 | The Second Dirge Anthem: Man That Is Born of a Woman – In the Midst of Life – Thou Knowest, Lord, Z. 58b | Thomas Morley, Henry Purcell, Vox Luminis, Lionel Meunier | A♭ Minor | 1 | 1A | 135 BPM |
- ISRC
- DELW71732008
- Label
- L-M Records/RCA Records
Section: 0.5376105308532715
End: 0.5422327518463135