"At Midnight" by Grant Fonda was released on March 17, 2023. The duration of At Midnight is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. At Midnight's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 28 in At Midnight (Original Motion Picture Soundtrack) by Grant Fonda. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, At Midnight is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of At Midnight by Grant Fonda is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Abundance | Greg Maroney | G Major | 1 | 9B | 209 BPM | ||
Echoes of Grace | Simon Wester, Kristoffer Wallin | B♭ Major | 1 | 6B | 117 BPM | ||
Closure | Anik Jean | C Major | 3 | 8B | 90 BPM | ||
Holy Holy Holy | En Paz Me Acostaré | C Major | 5 | 8B | 140 BPM | ||
Mycelium | Léo Beaumier Perras | A Minor | 3 | 8A | 110 BPM | ||
Apple Blossoms | Soft Cello | F♯ Major | 0 | 2B | 131 BPM | ||
Kensong | Julianne Bourne | G Minor | 2 | 6A | 176 BPM | ||
End Titles (We Were the Lucky Ones) | Rachel Portman | D Minor | 2 | 7A | 88 BPM | ||
Undercurrent | Adi Goldstein, Yoed Nir | A♭ Major | 1 | 4B | 84 BPM | ||
Dark leaves | Nicholas Hooper | B Minor | 1 | 10A | 124 BPM |
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