Carl Friedrich Abel, Les Ombres, Margaux Blanchard's '27 Pieces for Bass Viol, WK 186-212: IX. [Prelude] in D Major, WKO 194' came out on September 23, 2022. With 27 Pieces for Bass Viol, WK 186-212: IX. [Prelude] in D Major, WKO 194 being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. Because this song is the only song in C.F. Abel: [Prélude] in D Major and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, 27 Pieces for Bass Viol, WK 186-212: IX. [Prelude] in D Major, WKO 194 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 27 Pieces for Bass Viol, WK 186-212: IX. [Prelude] in D Major, WKO 194 by Carl Friedrich Abel, Les Ombres, Margaux Blanchard is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
XII sonate a tre o quattro strumenti e basso: Sonata III a 3 | Antonio Bertali, Ars Antiqua Austria, Gunar Letzbor | A♭ Minor | 1 | 1A | 114 BPM | ||
Aria della Fulia variata (con parti variati) | Giovanni Paolo Foscarini, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 190 BPM | ||
La Gamba in Basso e Soprano | Vincenzo Ruffo, Into the Winds | F Minor | 3 | 4A | 132 BPM | ||
Folias Americanas: II. Tango congo | Calixto Alvarez, Ensemble Vedado, Ronald Martin Alonso | F Major | 1 | 7B | 103 BPM | ||
Médée, H. 491: Ouverture | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet | B♭ Major | 2 | 6B | 146 BPM | ||
Amarilli, mia bella (1601) | Giulio Caccini, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Major | 0 | 3B | 129 BPM | ||
Sonata in F Major, Op. 2, No. 12, SF 767: IV. Largo | Benedetto Marcello, Dorothee Oberlinger | B♭ Minor | 2 | 3A | 64 BPM | ||
Canzonets to Three Voyces: XI. O Fly Not | Thomas Morley, Josh Lee | B Major | 1 | 1B | 105 BPM | ||
The Drexel Manuscript: [Adagio] | Carl Friedrich Abel, Krzysztof Firlus | A♭ Major | 3 | 4B | 69 BPM | ||
Violin Sonata No. 6 in C Minor, C. 143: I. — | Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor | B Minor | 1 | 10A | 85 BPM |
Section: 0.4818868637084961
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