Antonio Vivaldi, The Four Nations Ensemble, Matthew White made "Sonata in C minor for violin, cello and continuo, RV83: Allegro" available on June 7, 2021. The duration of Sonata in C minor for violin, cello and continuo, RV83: Allegro is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Sonata in C minor for violin, cello and continuo, RV83: Allegro's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi: Classical Summer by Antonio Vivaldi. The song's track number on the album is #30 out of 172 tracks. Sonata in C minor for violin, cello and continuo, RV83: Allegro is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Sonata in C minor for violin, cello and continuo, RV83: Allegro by Antonio Vivaldi, The Four Nations Ensemble, Matthew White has a tempo of 73 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Sonata in C minor for violin, cello and continuo, RV83: Allegro being at 73 BPM, the half-time would be 36 BPM with a double-time of 146 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Swan Lake Suite, Op. 20: Scène | London Philharmonic Orchestra | E Minor | 3 | 9A | 77 BPM | ||
The Tale of Tsar Saltan: The Tale of Tsar Saltan: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | G Major | 1 | 9B | 80 BPM | ||
Concerto for 2 Violins in A Minor, RV 522: III. Allegro | Antonio Vivaldi, Berliner Barock Solisten, Kristin von der Goltz, Rainer Kussmaul, Bernhard Forck | A Minor | 3 | 8A | 158 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Concerto for 2 Cellos, Strings and Continuo in G minor, RV 531: 2. Largo | Antonio Vivaldi, Anner Bylsma, Anthony Pleeth, Academy of Ancient Music, Christopher Hogwood | A♭ Major | 0 | 4B | 75 BPM | ||
Tchaikovsky / Arr. Stetsuk for Cello and Orchestra: 16 Children's Songs, Op. 54: No. 10, Lullaby in a Storm | Pyotr Ilyich Tchaikovsky, Alexander Kniazev, Constantine Orbelian, Moscow Chamber Orchestra | D Minor | 0 | 7A | 89 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: III. Gavotte en rondeau (Arr. J. Milone for Violin & Orchestra) | Johann Sebastian Bach, Joshua Bell, Academy of St. Martin in the Fields | E Major | 2 | 12B | 75 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Romance No. 2 In F Major, Op. 50 | Slovak Philharmonic, Takako Nishizaki, Ludwig van Beethoven | F Major | 1 | 7B | 88 BPM |
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