Suite for Violoncello Solo No. 1 in G Major, BWV 1007: IV. Sarabande - Johann Sebastian Bach, Klaus-Peter Hahn Information

Acousticness: 98%
Danceability: 19%
Energy: 8%
Instrumentalness: 95%
Liveness: 11%
Loudness: 67%
Speechiness: 5%
Valence: 21%
Popularity: 12%
Loudness: -19.755 dB

Summary

Johann Sebastian Bach, Klaus-Peter Hahn's 'Suite for Violoncello Solo No. 1 in G Major, BWV 1007: IV. Sarabande' came out on January 1, 1994. The duration of Suite for Violoncello Solo No. 1 in G Major, BWV 1007: IV. Sarabande is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Suite for Violoncello Solo No. 1 in G Major, BWV 1007: IV. Sarabande's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 18 in Bach: Suites for Violoncello Nos. 1-3, BWV 1007-1009 by Johann Sebastian Bach, Klaus-Peter Hahn. Based on our statistics, Suite for Violoncello Solo No. 1 in G Major, BWV 1007: IV. Sarabande's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Suite for Violoncello Solo No. 1 in G Major, BWV 1007: IV. Sarabande BPM

The tempo marking of Suite for Violoncello Solo No. 1 in G Major, BWV 1007: IV. Sarabande by Johann Sebastian Bach, Klaus-Peter Hahn is Allegro (fast, quick, and bright), since this song has a tempo of 141 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 1/4.

Suite for Violoncello Solo No. 1 in G Major, BWV 1007: IV. Sarabande Key

This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Keyboard Concerto in G Major, Wq. 44: II. Andantino	Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig	E Minor	0	9A	87 BPM
Symphony No. 3 in C Major, Op. 2, "The Chaplet": II. Vivace	William Boyce, Aradia Ensemble, Kevin Mallon	A♭ Minor	0	1A	121 BPM
Concerto No. 3 in D Major, BWV 1054: III. Allegro	Johann Sebastian Bach, Sonya Bach, English Chamber Orchestra	D Major	2	10B	99 BPM
Sonata In B Minor, K. 33	Domenico Scarlatti, Ingolf Wunder	B Minor	1	10A	93 BPM
6 Impromptus, Op. 5: Impromptu V	Jean Sibelius, Leif Ove Andsnes	B Minor	0	10A	72 BPM
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace	William Boyce, Aradia Ensemble, Kevin Mallon	A♭ Major	1	4B	187 BPM
Beethoven: Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso	Ludwig van Beethoven, Pierre-Laurent Aimard, Nikolaus Harnoncourt, Chamber Orchestra of Europe	B Major	0	1B	97 BPM
Nocturne No.6 In G Minor, Op.15 No.3	Frédéric Chopin, Maurizio Pollini	D Minor	0	7A	105 BPM
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen	Robert Schumann, Martha Argerich	G Major	0	9B	128 BPM
4 Impromptus, D. 899, Op. 90: No. 3 in G-Flat Major	Franz Schubert, Murray Perahia	C Minor	5	5A	150 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.756824254989624

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