Xaver Scharwenka, Earl Wild's 'Concerto for piano & orchestra No. 1 in B flat minor, Op.32- 2. Scherzo- Allegro' came out on November 19, 1995. Since Concerto for piano & orchestra No. 1 in B flat minor, Op.32- 2. Scherzo- Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Scharwenka and Paderewski - Piano Concertos". In this album, this song's track order is #2. Concerto for piano & orchestra No. 1 in B flat minor, Op.32- 2. Scherzo- Allegro is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto for piano & orchestra No. 1 in B flat minor, Op.32- 2. Scherzo- Allegro by Xaver Scharwenka, Earl Wild having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Études d'exécution transcendante, S. 139: No. 8, Wilde Jagd | Franz Liszt, Anna Leyerer | F♯ Major | 3 | 2B | 108 BPM | ||
12 Études, Op. 10: No. 7 in C Major "Toccata" | Frédéric Chopin, Yunchan Lim | A♭ Major | 2 | 4B | 75 BPM | ||
6 Etudes, Op. 111: IV. Les cloches de Las Palmas | Camille Saint-Saëns, Piers Lane | C Major | 1 | 8B | 91 BPM | ||
Norwegian Peasant Dances, Op. 72: No. 6, Gangar (etter Myllarguten). Allegretto e marcato | Edvard Grieg, Rune Alver | F Major | 0 | 7B | 87 BPM | ||
12 Etudes, Op. 8: No. 4 in B Major | Alexander Scriabin, Daniela Roma | B Major | 1 | 1B | 91 BPM | ||
Octubre Rosa | Cecilia Foj | F Minor | 2 | 4A | 79 BPM | ||
Danse Negre, Op. 58, No.5 - Duo-Art 5796 | Cyril Scott, Peter Phillips, Carolyne Cone Baldwin | A♭ Major | 1 | 4B | 67 BPM | ||
13 Pieces, Op. 76: No. 5. Consolation | Jean Sibelius, Olli Mustonen | B♭ Minor | 2 | 3A | 93 BPM | ||
3 Pieces from Cinderella, Op. 95: No. 1. Pavane | Sergei Prokofiev, Olli Mustonen | F♯ Minor | 1 | 11A | 116 BPM | ||
Norwegian Peasant Dances, Op. 72: No. 17, Kivlemøyane. Gangar. Allegretto marcato | Edvard Grieg, Rune Alver | F Major | 0 | 7B | 87 BPM |
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