"Mignon: Je suis Titania la blonde" by Compagnia d'Opera Italiana Orchestra, Antonello Gotta, Sachika Ito was released on April 18, 2017. With this song being about 5 minutes long, at 5:14, "Mignon: Je suis Titania la blonde" by Compagnia d'Opera Italiana Orchestra, Antonello Gotta, Sachika Ito is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 55 in the song's album "Ultimate Opera Collection: Greatest Arias of All Time, Vol. 2". In this album, this song's track order is #43. The popularity of Mignon: Je suis Titania la blonde is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mignon: Je suis Titania la blonde by Compagnia d'Opera Italiana Orchestra, Antonello Gotta, Sachika Ito having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ti adoro | Michele Centonze, Robin Smith, Luciano Pavarotti, Stefano "Tellus" Nanni, Bulgarian Symphony Orchestra | A Major | 7 | 11B | 77 BPM | ||
Peer Gynt Suite No. 1, Op. 46: I. Le Matin | Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 67 BPM | ||
L'Orologio Degli Dei | Giovanni Allevi | A Minor | 1 | 8A | 99 BPM | ||
Offenbach: Les Contes d'Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (Arr. for Trumpet & Orchestra) | Jacques Offenbach, Lucienne Renaudin Vary, Erik Truffaz, Roberto Rizzi Brignoli, Orchestre National de Lille | D Major | 1 | 10B | 84 BPM | ||
La Gioconda, Op. 9 / Act 3: Dance of the Hours | Amilcare Ponchielli, Staatskapelle Dresden, Silvio Varviso | E Major | 0 | 12B | 137 BPM | ||
Satie: 3 Gymnopédies: No. 1, Lent et douloureux | Erik Satie, Peter Lawson | G Major | 0 | 9B | 80 BPM | ||
Pagliacci, Act I: "Recitar! Vesti la giubba" (Canio) | Ruggero Leoncavallo, Orchestra dell'Accademia Nazionale di Santa Cecilia, Francesco Molinari-Prandelli, Mario del Monaco | E Major | 2 | 12B | 89 BPM | ||
Memories (da Montalbano 2) | Franco Piersanti, Czech National Symphony Orchestra | B♭ Major | 1 | 6B | 102 BPM | ||
Lakmé: 'Flower Duet' | Léo Delibes, Carl Davis, Royal Liverpool Philharmonic Orchestra and Choir, Janice Watson, Ruby Philogene | B Major | 1 | 1B | 81 BPM | ||
6 Etudes d'exécution transcendante d'après Paganini, S. 140: 3. La Campanella | Franz Liszt, Jorge Bolet | A♭ Minor | 2 | 1A | 90 BPM |
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