Giuseppe Verdi, Enrico Caruso made "Rigoletto (1908 Recording): Act I: Questa o quella" available on 1990. The duration of Rigoletto (1908 Recording): Act I: Questa o quella is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Rigoletto (1908 Recording): Act I: Questa o quella's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 206 in Enrico Caruso - The Complete Victor Recordings by Enrico Caruso. Rigoletto (1908 Recording): Act I: Questa o quella is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Rigoletto (1908 Recording): Act I: Questa o quella by Giuseppe Verdi, Enrico Caruso is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rossini: Il barbiere di Siviglia, Act 1: "Largo al factotum" (Figaro) | Gioachino Rossini, Alceo Galliera, Tito Gobbi, Philharmonia Orchestra | G Major | 2 | 9B | 67 BPM | ||
Norma (1997 - Remaster), Act I, Scene 1: Casta diva (Norma/Coro) | Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | F Major | 1 | 7B | 140 BPM | ||
Verdi: Aida, Act 2: Marcia trionfale | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | A♭ Major | 1 | 4B | 120 BPM | ||
Verdi: Aida, Act 2: "Il dolor che in quel volto favella" (Radamès, Amneris, Amonasro, Il Re, Aida, Schiave, Popolo, Ramfis, Sacerdoti, Prigionieri) | Giuseppe Verdi, Riccardo Muti | F Major | 5 | 7B | 67 BPM | ||
Pagliacci / Act 1: "Recitar!...Vesti la giubba" | Ruggero Leoncavallo, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Minor | 4 | 9A | 81 BPM | ||
Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | ||
Largo al factotum | Gioachino Rossini, Simon Keenlyside, Ulf Schirmer | C Major | 3 | 8B | 73 BPM | ||
Torna a Surriento (Arr. Chiaramello) | Ernesto De Curtis, Freddie De Tommaso, London Philharmonic Orchestra, Renato Balsadonna | C Minor | 0 | 5A | 69 BPM | ||
Manon Lescaut / Act 1: Donna non vidi mai | Giacomo Puccini, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Major | 3 | 6B | 79 BPM | ||
La fille du régiment / Act 1: Ah! mes amis, quel jour de fête! | Gaetano Donizetti, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E♭ Major | 3 | 5B | 82 BPM |
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