Johann Sebastian Bach, Martin Stadtfeld's ' "The Well-Tempered Clavier, Book I: Prelude No. 15 in G Major, BWV 860" was released on its scheduled release date, January 23, 2009. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 29 out of 48 in Bach: The Well Temperated Piano 1 by Johann Sebastian Bach, Martin Stadtfeld. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The Well-Tempered Clavier, Book I: Prelude No. 15 in G Major, BWV 860 is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of The Well-Tempered Clavier, Book I: Prelude No. 15 in G Major, BWV 860 by Johann Sebastian Bach, Martin Stadtfeld is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto for 3 Harpsichords, Strings, and Continuo No. 2 in C, BWV 1064: 1. (Allegro) | Johann Sebastian Bach, Ton Koopman, Tini Mathot, Friederike Ernst, Amsterdam Baroque Orchestra | B Major | 4 | 1B | 87 BPM | ||
Concerto No. 2 in D Major for Cello, Strings, and Continuo, L. 10: IV. Fuga | Leonardo Leo, Elinor Frey, Rosa Barocca, Claude Lapalme | E♭ Minor | 1 | 2A | 103 BPM | ||
Adagio | Alessandro Marcello, Martin Stadtfeld | D Minor | 0 | 7A | 91 BPM | ||
Rinaldo, HWV 7: Lascia ch'io pianga (Arr. for Piano) | George Frideric Handel, Martin Stadtfeld | F Major | 0 | 7B | 68 BPM | ||
I. Ich Hab In Gottes Herz Und Sinn BWV 92, Choral (Alto): Zudem Ist Weisheit Und Verstand | Pieter Jan Leusink, Johann Sebastian Bach, Sytse Buwalda, Knut Schoch, Ofer Frenkel, Holland Boys Choir; Netherlands Bach Collegium, D'amore, Bas Ramselaar, Peter Frankenberg, Ruth Holton, Frank Wakelkamp | A Major | 2 | 11B | 172 BPM | ||
Sonata in A Minor, BWV 965 (after Sonata No. 1 for strings and continuo from Hortus Musicus by Reincken): III. Adagio - Presto | Johann Sebastian Bach, Francesco Tropea | A Minor | 0 | 8A | 128 BPM | ||
Alman "The King's Jewel" | Orlando Gibbons, Mishka Rushdie Momen | G Major | 0 | 9B | 103 BPM | ||
Nouvelles suites de pièces de clavecin, Suite in A Minor, RCT 5: V. Fanfarinette | Jean-Philippe Rameau, Juho Pohjonen | A Major | 1 | 11B | 82 BPM | ||
Corrente quarta | Girolamo Frescobaldi, Luc Beauséjour | G Minor | 2 | 6A | 73 BPM | ||
Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM |