"Messe brève No. 7: II. Gloria" by Charles Gounod, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig was released on January 1, 2005. With Messe brève No. 7: II. Gloria being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 25 in Charles Gounod: Musica sacra by Charles Gounod, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Messe brève No. 7: II. Gloria's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Messe brève No. 7: II. Gloria by Charles Gounod, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rorate caeli desuper | Schola Antiqua, Schola Gregoriana Hispana | F♯ Major | 1 | 2B | 137 BPM | ||
Stabat mater: Ave verum corpus | Karl Jenkins, Polyphony, Stephen Layton | B Major | 1 | 1B | 128 BPM | ||
Dir, Dir, Jehova, Will Ich Singen BWV 452 | Calmus Ensemble | A Major | 3 | 11B | 112 BPM | ||
Segenslied: Bleib bei uns, Herr | William Henry Monk, David V. Wilcocks, Bach-Chor Siegen, Ulrich Stötzel, Peter Scholl | C Major | 7 | 8B | 108 BPM | ||
Faust, CG 4: Salut! Demeure chaste et pure | Charles Gounod, Jules Barbier, Michel Carré, Fernando De La Mora, Welsh National Opera Orchestra, Sir Charles Mackerras | A♭ Major | 2 | 4B | 172 BPM | ||
Gounod : Faust : Act 1 "Ne permettrez-vous pas" [Faust, Méphistophélès, Marguerite, Siébel, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | D Major | 1 | 10B | 117 BPM | ||
Liturgy of St. John Chrysostom: No. 2, Antiphon I (Psalm 102) | Benedict Sheehan, The Saint Tikhon Choir | A♭ Minor | 2 | 1A | 77 BPM | ||
Largire nunc mitissime | Jacob Obrecht, Cappella Mariana, Vojtěch Semerád | C Major | 2 | 8B | 95 BPM | ||
Die Himmel erzählen die Ehre Gottes, SWV 386 | Heinrich Schütz, Ensemble Polyharmonique, Alexander Schneider, Juliane Laake, Klaus Eichhorn, Magdalene Harer, Joowon Chung, Johannes Gaubitz, Sören Richter, Matthias Lutze | A♭ Minor | 2 | 1A | 121 BPM | ||
On Flute I Play my Sad Verses | St. Petersburg Optina Pustyn Male Choir | B♭ Major | 2 | 6B | 89 BPM |
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