"Blue, Act II Scene 2: She Sits in This Matchbox Disguised as a House" by Jeanine Tesori, Rehanna Thelwell, Katerina Burton, Ariana Wehr, Roderick Cox, Washington National Opera Orchestra was released on March 25, 2022. The duration of Blue, Act II Scene 2: She Sits in This Matchbox Disguised as a House is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Blue, Act II Scene 2: She Sits in This Matchbox Disguised as a House's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jeanine Tesori, Washington National Opera Orchestra, Roderick Cox, Kenneth Kellogg, Briana Hunter, Aaron Crouch, Gordon Hawkins's "Jeanine Tesori: Blue" album is number 12 out of 72. On top of that, Netherlands appears to be the country where this track was created. Blue, Act II Scene 2: She Sits in This Matchbox Disguised as a House is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Blue, Act II Scene 2: She Sits in This Matchbox Disguised as a House by Jeanine Tesori, Rehanna Thelwell, Katerina Burton, Ariana Wehr, Roderick Cox, Washington National Opera Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
It's Gonna Be Good | Alice Ripley, Aaron Tveit, J. Robert Spencer, Louis Hobson, Jennifer Damiano, Adam Chanler-Berat | D♭ Minor | 5 | 12A | 157 BPM | ||
I've Been | Alice Ripley | D♭ Major | 5 | 3B | 93 BPM | ||
Come to Your Senses | Amy Spanger | B♭ Major | 3 | 6B | 96 BPM | ||
Good Morning Baltimore (From "Hairspray") | Marissa Jaret Winokur | A♭ Major | 8 | 4B | 133 BPM | ||
Noah and Rose | Adam Makké, Caissie Levy, Jeanine Tesori, Tony Kushner | D Major | 3 | 10B | 69 BPM | ||
Pierre & Natasha | Josh Groban, Denée Benton | D Major | 2 | 10B | 78 BPM | ||
1943 | Arica Jackson, Harper Miles, Jeanine Tesori, Nasia Thomas, Nya, Sharon D Clarke, Tony Kushner | A♭ Major | 4 | 4B | 176 BPM | ||
Anagram | Victoria Clark, Justin Cooley, Michael Iskander, Olivia Elease Hardy, Fernell Hogan, Nina White, Kimberly Akimbo Original Broadway Cast, Jeanine Tesori, David Lindsay-Abaire | F Major | 3 | 7B | 180 BPM | ||
Who Is This Man? | Megan McGinnis | D Major | 3 | 10B | 132 BPM | ||
Blue, Act I Scene 1: I'm Gonna Strap My Baby on My Back | Jeanine Tesori, Briana Hunter, Ariana Wehr, Katerina Burton, Rehanna Thelwell, Roderick Cox, Washington National Opera Orchestra | F Minor | 5 | 4A | 90 BPM |
Section: 0.45410895347595215
End: 0.45803260803222656