On January 9, 1996, the song "Son of Frankenstein (orch. J. Morgan): Universal Signature" was released by Frank Skinner, John Morgan, Moscow Symphony Orchestra, William Stromberg. With Son of Frankenstein (orch. J. Morgan): Universal Signature being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 25 in the song's album "Salter / Skinner: Monster Music". In this album, this song's track order is #1. Based on our statistics, Son of Frankenstein (orch. J. Morgan): Universal Signature's popularity is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Son of Frankenstein (orch. J. Morgan): Universal Signature by Frank Skinner, John Morgan, Moscow Symphony Orchestra, William Stromberg having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Bridge Too Far (Overture) | Czech Philharmonic Chamber Orchestra | B♭ Major | 4 | 6B | 107 BPM | ||
Sammy and Rosie Get Laid | Stanley Myers | B♭ Major | 3 | 6B | 181 BPM | ||
Flying Dragon | James Wong | G Minor | 5 | 6A | 132 BPM | ||
Valse Concertant | Delle Haensch, Hans Conzelmann | F Major | 2 | 7B | 152 BPM | ||
They Can't Take That Away from Me | Mev Berman & The Avalon Strings | F Major | 2 | 7B | 132 BPM | ||
Rune | James Ricci, Filharmonie Brno, Mikel Toms | B♭ Major | 1 | 6B | 69 BPM | ||
Medley (Ilsa Returns / As Time Goes By / Bitterness / Laszlo / Agitato No. 1 / Ilsa / La Marseillaise) | The Warner Bros. Studio Orchestra | G Minor | 2 | 6A | 90 BPM | ||
Coronation Scot | Vivian Ellis, RTE Concert Orchestra, Ernest Tomlinson | G Major | 0 | 9B | 147 BPM | ||
La locura (El Quijote) | Juan Pablo Fernández Ramos | A Minor | 2 | 8A | 120 BPM | ||
Brooklets & Heights | Danke Timi Briggs | E♭ Major | 3 | 5B | 74 BPM |
Section: 0.5504262447357178
End: 0.5539026260375977