On 1983, the song "Maple Leaf Rag (Arr. J.S. Ritter for Chamber Ensemble)" was released by Scott Joplin, Jean-Pierre Rampal, John Steele Ritter, Shelly Manne, Tommy Johnson. The duration of Maple Leaf Rag (Arr. J.S. Ritter for Chamber Ensemble) is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Maple Leaf Rag (Arr. J.S. Ritter for Chamber Ensemble)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Scott Joplin, Jean-Pierre Rampal's "Jean-Pierre Rampal Plays Scott Joplin" album is number 1 out of 13. On top of that, United States appears to be the country where this track was created. Based on our statistics, Maple Leaf Rag (Arr. J.S. Ritter for Chamber Ensemble)'s popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Maple Leaf Rag (Arr. J.S. Ritter for Chamber Ensemble) by Scott Joplin, Jean-Pierre Rampal, John Steele Ritter, Shelly Manne, Tommy Johnson to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Blue Bells of Scotland | Joseph Alessi | F Major | 1 | 7B | 133 BPM | ||
Canto degli elementi | Ococoffar, Raffaele Cocomazzi | G Major | 3 | 9B | 96 BPM | ||
Rigoletto, Act IV: La donna e mobile (arr. for orchestra) | Anonymous , Giuseppe Verdi, Sofia Philharmonic Orchestra, Emil Tabakov | B♭ Major | 1 | 6B | 155 BPM | ||
Fig Leaf Rag | William Morton | B♭ Major | 5 | 6B | 171 BPM | ||
Aida: Act II: Marcia | Giuseppe Verdi, Maria Dragoni, Kristjan Johannsson, Barbara Dever, Mark Rucker, Francesco Ellero d' Artegna, Riccardo Ferrari, Antonio Marcenò, Monica Trini, Colin Mawby, RTÉ Philharmonic Choir, RTE Chamber Choir, Culwick Choral Society, Bray Choral Society, Dublin County Choir, Dun Laoghaire Choral Society, Cantabile Singers, Goethe Institut Choir, Musica Sacra, The Phoenix Singers, RTÉ National Symphony Orchestra, Irish Army No. 1 Band, Ricco Saccani | A♭ Major | 1 | 4B | 112 BPM | ||
Sleeping Beauty Waltz | Pyotr Ilyich Tchaikovsky, Willi Boskovsky/Wiener Symphoniker, Willi Boskovsky, Wiener Philharmoniker, Wiener Symphoniker | B♭ Major | 2 | 6B | 105 BPM | ||
Cetus | Tom Brier | C Minor | 4 | 5A | 115 BPM | ||
Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": 3. Presto agitato | Valentina Lisitsa | F♯ Minor | 2 | 11A | 84 BPM | ||
Samson et Dalila: Bacchanale | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | A Minor | 1 | 8A | 109 BPM | ||
Simple Symphony, Op. 4: "Playful Pizzicato" from Simple Symphony, Op. 4 | Benjamin Britten, English Chamber Orchestra | C Major | 2 | 8B | 121 BPM |
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