"Kermesse in Bruges , "The Three Gifts": Act I: Pas de deux" by Holger Simon Paulli, Christian Gottschalch, Soren Mohl, Aalborg Symphony Orchestra, Peter Ernst Lassen was released on January 1, 2005. The duration of Kermesse in Bruges , "The Three Gifts": Act I: Pas de deux is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Kermesse in Bruges , "The Three Gifts": Act I: Pas de deux's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 206 in Ballet Music (Music To the Bournonville Ballets) by Aalborg Symphony Orchestra, Peter Ernst Lassen. Going off of the ISRC code of this track, we detected that the origin of this track is from Denmark. Kermesse in Bruges , "The Three Gifts": Act I: Pas de deux is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Kermesse in Bruges , "The Three Gifts": Act I: Pas de deux by Holger Simon Paulli, Christian Gottschalch, Soren Mohl, Aalborg Symphony Orchestra, Peter Ernst Lassen is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Massenet: La Vierge, Pt. 4: Le dernier sommeil de la Vierge | Jules Massenet, John Eliot Gardiner, Orchestre National de l'Opéra de Monte-Carlo | A Minor | 5 | 8A | 95 BPM | ||
Giselle: Peasant pas de deux (arr. March): Act I: Alegretto: Second Men's Variation | Franz Burgmüller, March, Sofia National Opera Orchestra, Boris Spassov | B Major | 1 | 1B | 88 BPM | ||
La source, ou Naila: Suite No. 2: Suite No. 2: Pas de la Guzla | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A Minor | 0 | 8A | 128 BPM | ||
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter. Sturm. Allegro - | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | G Major | 0 | 9B | 127 BPM | ||
La source, ou Naila: Suite No. 3: La Source: Intermezzo (Pas des Fleurs, Grande Valse) | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A Major | 0 | 11B | 125 BPM | ||
Don Quixote: Act III: Quiteria's Variation | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | C Major | 1 | 8B | 167 BPM | ||
Les Sylphides (orch. R. Douglas): III. Waltz (Op. 70, No. 1) | Frédéric Chopin, Roy Douglas, Berlin Radio Symphony Orchestra, Heinz Fricke | D Major | 1 | 10B | 49 BPM | ||
Paquita: Variation 1: Moderato | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | E Major | 0 | 12B | 182 BPM | ||
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 2, Dance du coq et des poules | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | D Major | 4 | 10B | 164 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": III. Allegro "La caccia" | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | C Major | 2 | 8B | 154 BPM |
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