"Sol och skyar, Op. 102: No. 9, Sommarns sista ros, september" by Selim Palmgren, Jouni Somero was released on September 10, 2021. The duration of Sol och skyar, Op. 102: No. 9, Sommarns sista ros, september is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Sol och skyar, Op. 102: No. 9, Sommarns sista ros, september's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 35 in the song's album "Palmgren: Complete Piano Works, Vol. 3". In this album, this song's track order is #31. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Sol och skyar, Op. 102: No. 9, Sommarns sista ros, september is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Sol och skyar, Op. 102: No. 9, Sommarns sista ros, september by Selim Palmgren, Jouni Somero having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pelléas et Mélisande Suite, Op. 80: III. Sicilienne | Gabriel Fauré, Orchestre de Chambre de Lausanne, Renaud Capuçon | D Major | 0 | 10B | 95 BPM | ||
Eternal Paradox | AKIRA HONDA | A Minor | 1 | 8A | 92 BPM | ||
Verlassen - Hyljätty | Selim Palmgren, YL Male Voice Choir | G Major | 2 | 9B | 102 BPM | ||
Trois études poétiques, Op. 32: I. Étude poétique | Signe Lund, Rune Alver | C Major | 0 | 8B | 64 BPM | ||
Wie Melodien zieht es mir | Johannes Brahms, Jungin Huh | D Major | 5 | 10B | 123 BPM | ||
Fantasie in F Minor, D. 940, Op. 103: I. Allegro molto moderato | Franz Schubert, Pavel Kolesnikov, Samson Tsoy | F Minor | 1 | 4A | 106 BPM | ||
7 Piano Pieces, Op. 27 "Spring": IV. Kevatyo (May Night) | Selim Palmgren, Risto Lauriala | E Major | 0 | 12B | 68 BPM | ||
Gavotte, Op. 49, No. 3 - Duo-Art 6377 | Alexander Glazunov, Peter Phillips | G Major | 1 | 9B | 82 BPM | ||
Moments musicaux, Op. 16: No. 5, Andante sostenuto in D-Flat Major | Sergei Rachmaninoff, Inon Barnatan | D♭ Major | 0 | 3B | 170 BPM | ||
Doorway to a Past Life | Jason Solowsky | A Minor | 0 | 8A | 66 BPM |
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