Marc Canham's 'Conflict Resolution' came out on 2014. The duration of Conflict Resolution is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Conflict Resolution's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Marc Canham, Nathan Johnson, Brain's "inFAMOUS: Second Son (Original Soundtrack)" album is number 4 out of 22. On top of that, United States appears to be the country where this track was created. In terms of popularity, Conflict Resolution is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Conflict Resolution by Marc Canham to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Revival | Pawel Blaszczak | C Minor | 1 | 5A | 146 BPM | ||
GARAGE (Main Menu) | Steven McNair | C Major | 8 | 8B | 118 BPM | ||
Run, Kathy, Run | Syusaku Uchiyama | F Major | 7 | 7B | 140 BPM | ||
Surface Tension 4 | Joel Nielsen | E Minor | 8 | 9A | 148 BPM | ||
The Evil Within | Masatoshi Yanagi, John Johanas, Trent Haaga | B♭ Minor | 5 | 3A | 86 BPM | ||
Built to Kill | Oleksa Lozowchuk | D♭ Minor | 3 | 12A | 83 BPM | ||
All Things Must Come | Stuart Chatwood | A♭ Major | 8 | 4B | 140 BPM | ||
Monsters We | Olivier Deriviere, London Contemporary Orchestra | F Major | 0 | 7B | 65 BPM | ||
Ghosts of Void | Keith Power | D♭ Major | 2 | 3B | 77 BPM | ||
No Gravity | Mick Gordon | C Minor | 4 | 5A | 106 BPM |
Section: 0.502410888671875
End: 0.5068569183349609