"From Piano Pieces, Op. 11: No. 2, Rubato, Parlando - Chanson populaire Székely" by Leoš Janáček, Zoltán Kodály, Klára Würtz was released on October 21, 2016. The duration of From Piano Pieces, Op. 11: No. 2, Rubato, Parlando - Chanson populaire Székely is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. From Piano Pieces, Op. 11: No. 2, Rubato, Parlando - Chanson populaire Székely's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Leoš Janáček, Zoltán Kodály, Klára Würtz's "Janácek: In the Mist & on an Overgrown Path - Kodály: Marosszek Dances" album is number 15 out of 19. On top of that, United Kingdom appears to be the country where this track was created. From Piano Pieces, Op. 11: No. 2, Rubato, Parlando - Chanson populaire Székely is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of From Piano Pieces, Op. 11: No. 2, Rubato, Parlando - Chanson populaire Székely by Leoš Janáček, Zoltán Kodály, Klára Würtz to be Larghetto (rather broadly) because the track has a tempo of 66 BPM, a half-time of 33BPM, and a double-time of 132 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
6 Consolations, S. 172: No. 2 in E Major (Un Poco Più Mosso) | Franz Liszt, Daniel Barenboim | B Major | 0 | 1B | 69 BPM | ||
Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
Chaconne in sol maggiore : Variazione 10 | Lazar Berman | G Minor | 0 | 6A | 71 BPM | ||
6 Moments musicaux, Op. 16: No. 4, Presto | Sergei Rachmaninoff, Boris Giltburg | E Minor | 2 | 9A | 126 BPM | ||
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM | ||
Montero: Adagio (After Bach's Violin Concerto No. 2, BWV 1042) | Johann Sebastian Bach, Gabriela Montero | F♯ Minor | 0 | 11A | 73 BPM | ||
Petite Suite de Concert, Op. 77: III. Un sonnet d'amour | Samuel Coleridge-Taylor, Chineke! Orchestra, Anthony Parnther | D Major | 0 | 10B | 62 BPM | ||
Lachian Dances, JW VI/17: No. 2. Pozehnany (Blessed) | Leoš Janáček, WDR Sinfonieorchester Köln, Gerd Albrecht | F Major | 1 | 7B | 60 BPM | ||
Mephisto Waltz No. 1, S. 514 | Franz Liszt, Khatia Buniatishvili | E Major | 2 | 12B | 132 BPM |
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