Pieter Jan Leusink, Knut Schoch, Peter Frankenberg, Frank Anepool, Doretthe Janssens, Amsterdam Classics B.V., Jean Van Vugt, David Kjar, Geerten Rooze, Ofer Frenkel, Sytse Buwalda, Johann Sebastian Bach, Bas Ramselaar, Louis Van Emmerik, Holland Boys Choir, Netherlands Bach Collegium, Marjon Strijk made "III. Gelobet Sei Der Herr, Mein Gott BWV 129, For The Feast Of Trinity, Am Trinitatisfest: Coro, Gelobet Sei Der Herr, Mein Gott" available on December 22, 2006. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 15 out of 19 in Bach Edition Vol. 14, Cantatas Vol. VII Part: 5 by Pieter Jan Leusink. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. III. Gelobet Sei Der Herr, Mein Gott BWV 129, For The Feast Of Trinity, Am Trinitatisfest: Coro, Gelobet Sei Der Herr, Mein Gott is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of III. Gelobet Sei Der Herr, Mein Gott BWV 129, For The Feast Of Trinity, Am Trinitatisfest: Coro, Gelobet Sei Der Herr, Mein Gott by Pieter Jan Leusink, Knut Schoch, Peter Frankenberg, Frank Anepool, Doretthe Janssens, Amsterdam Classics B.V., Jean Van Vugt, David Kjar, Geerten Rooze, Ofer Frenkel, Sytse Buwalda, Johann Sebastian Bach, Bas Ramselaar, Louis Van Emmerik, Holland Boys Choir, Netherlands Bach Collegium, Marjon Strijk is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Acht Kleine Präludien Und Fugen In G-moll, Bwv 558 | Ton Koopman | G Minor | 0 | 6A | 69 BPM | ||
Dich rühmen die Welten, TVWV 1:329: VI. 06 6. Choral: Mitten wir im Leben sind | Georg Philipp Telemann, Solomon's Knot, Jonathan Sells, Les Passions de l’Âme, Meret Lüthi | B♭ Minor | 1 | 3A | 178 BPM | ||
Vivat Rex | David John Hicken, David Hicken | D Minor | 1 | 7A | 76 BPM | ||
Stabat Mater, RV 621: Amen | Antonio Vivaldi, Marion Newman, Aradia Ensemble, Kevin Mallon | B Major | 1 | 1B | 142 BPM | ||
Markuspassion: No. 1, Chorus. Geh, JEsu, geh zu deiner Pein! | Nikolaus Matthes, Ensemble Gli Aspetti | D♭ Minor | 0 | 12A | 90 BPM | ||
Ich weiss, dass mein Erloser leb, TWV 1:873: Aria | Georg Philipp Telemann, Stefanie Wüst, Angela Froemer, Georg Poplutz, Jens Hamann, Siegen Collegium Vocale, Hannoversche Hofkapelle, Ulrich Stötzel | B Major | 1 | 1B | 115 BPM | ||
Israel in Egypt, HWV 54: Part II, The Exodus: He smote all the first-born of Egypt (Chorus) | George Frideric Handel, Laura Albino, Nils Brown, Jennifer Ens Modolo, Peter Mahon, Eve Rachel McLeod, Jason Nedecky, Bud Roach, Jennie Such, Sean Watson, Aradia Ensemble, Kevin Mallon | B Major | 3 | 1B | 108 BPM | ||
Galliard | William Brade, The Royal Wind Music, Paul Leenhouts | A♭ Major | 1 | 4B | 75 BPM | ||
Organ Voluntary in C Major, Op. 5 No. 1: I. Adagio | John Stanley, Richard Marlow | C Major | 0 | 8B | 68 BPM | ||
Mass in D Major, Op. 86, B. 153: VI. Agnus Dei | Antonín Dvořák, Priska Eser-Streit, Barbara Müller, Matthias Rettner, Thomas Hamberger, Harald Feller | G Major | 0 | 9B | 137 BPM |
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