"Francesca da Rimini, Op. 4, Act III, Scene 7: Benvenuto, signore mio cognato (Francesca, Paolo)" by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Frederic Kalt was released on 1994. The duration of Francesca da Rimini, Op. 4, Act III, Scene 7: Benvenuto, signore mio cognato (Francesca, Paolo) is about 3 minutes long, at 3:02. Based on our data, "Francesca da Rimini, Op. 4, Act III, Scene 7: Benvenuto, signore mio cognato (Francesca, Paolo)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Zandonai: Francesca da Rimini by Riccardo Zandonai, Elena Filipova, Fabio Luisi, Wiener Symphoniker. The song's track number on the album is #2 out of 47 tracks. Based on our data, Austria was the country where this track was produced or recorded. Francesca da Rimini, Op. 4, Act III, Scene 7: Benvenuto, signore mio cognato (Francesca, Paolo) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini, Op. 4, Act III, Scene 7: Benvenuto, signore mio cognato (Francesca, Paolo) by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Frederic Kalt has a tempo of 66 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Francesca da Rimini, Op. 4, Act III, Scene 7: Benvenuto, signore mio cognato (Francesca, Paolo) being at 66 BPM, the half-time would be 33 BPM with a double-time of 132 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Maria Stuarda: Act I Scene 2: Si, vuol di Francia il Rege (Elisabetta) | Gaetano Donizetti, Carmela Remigio, Sonia Ganassi, Joseph Calleja, Riccardo Zanellato, Marzio Giossi, Cinzia Rizzone, Circuito Lirico Regional Chorus, Fondazione Orchestra Gaetano Donizetti Di Bergamo, Fabrizio Maria Carminati | B♭ Major | 0 | 6B | 90 BPM | ||
Lucia di Lammermoor, Act I: Regnava nel silenzio | Gaetano Donizetti, Zuzana Markova, Carlotta Vichi, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | F Major | 1 | 7B | 64 BPM | ||
Rossini: Messa di Gloria: VII. Domine Deus | Gioacchino Rossini, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano, Carlo Lepore, Eleonora Buratto, Teresa Iervolino | E♭ Major | 1 | 5B | 75 BPM | ||
Il barbiere di Siviglia / Act 1: "Una voce poco fa" - "Sì, sì, la vincerò" (Rosina / Rosina, Figaro, Bartolo, Basilio) | Gioachino Rossini, Gianna D'Angelo, Renato Capecchi, Giorgio Tadeo, Carlo Cava, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | F Major | 1 | 7B | 133 BPM | ||
Francesca da Rimini, Op. 4, Act I, Scene 8: Ohimè! Oimè! che adesso io provo (Francesca, Chorus) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Chor der Wiender Volksoper, Elena Filipova | A Minor | 0 | 8A | 173 BPM | ||
Francesca da Rimini: Act I: Viene! Viene! Madonna (Le Donne, Francesca, Chorus) | Riccardo Zandonai, Ilva Ligabue, Nicoletta Panni, Fernando Valentini, Aldo Protti, Mirto Picchi, Piero de Palma, Alberta Valentini, Renata Mattioli, Bianca-Maria Casoni, Palma Martini, Luisa Ribacchi, Mario Carlin, Paolo Pedani, Guido Pasella, Coro di Roma della RAI, Orchestra Sinfonica Nazionale della RAI di Roma, Nino Sanzogno | D Major | 5 | 10B | 96 BPM | ||
La Traviata, Act I: Che è ciò — Un dì felice | Giuseppe Verdi, Lisette Oropesa, René Barbera, Ilseyar Khayrullova, Menna Cazel, Francesco Pittari, Daniel Oren, Dresdner Philharmonie, Sächsischer Staatsopernchor Dresden | B♭ Major | 1 | 6B | 81 BPM | ||
Francesca da Rimini, Op. 4, Act IV, Scene Tableau I: Mia cara donna, voi m'attendevate? (Gianciotto, Francesca, Malatestino, La Voce del Prigioniero) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Philippe Roillon, Kenneth Riegel, Alexander Kravets | D Major | 1 | 10B | 74 BPM | ||
Der Favorit: Du sollst der Kaiser meiner Seele sein (Grünbaum & Sterk) | Robert Stolz, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 1 | 11B | 79 BPM | ||
La forza del destino, Act III, Scene III: Nella guerra, è la follia | Giuseppe Verdi, Anna Maria Chiuri, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | C Minor | 2 | 5A | 88 BPM |
Section: 0.7314558029174805
End: 0.7366015911102295