Rita Streich, RIAS-Symphonie-Orchester, Kurt Gaebel, RIAS Knabenchor's 'Still, still, still' came out on January 1, 2003. With Still, still, still being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 70 in the song's album "The Christmas Album". In this album, this song's track order is #12. Still, still, still is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Still, still, still by Rita Streich, RIAS-Symphonie-Orchester, Kurt Gaebel, RIAS Knabenchor having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Offenbach: Les Contes d'Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (Arr. for Trumpet & Orchestra) | Jacques Offenbach, Lucienne Renaudin Vary, Erik Truffaz, Roberto Rizzi Brignoli, Orchestre National de Lille | D Major | 1 | 10B | 84 BPM | ||
Hungarian Dance No.4 in F sharp minor - Orchestrated by Iván Fischer | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | F Minor | 1 | 4A | 70 BPM | ||
Delibes: Coppélia, Act I: No. 1, Valse | Léo Delibes, Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris | E♭ Major | 1 | 5B | 143 BPM | ||
Jocelyn - opera in 4 Acts - Arr. Kurt Gaebel: Berceuse "Cachés dans cet asile, où Dieu nous a conduits"..."Oh, ne t'éveille pas encore" | Benjamin Godard, Rita Streich, Deutsches Symphonie-Orchester Berlin, Kurt Gaebel | F Major | 1 | 7B | 97 BPM | ||
Chansons de Ronsard, Op. 223: Dieu vous gard' | Darius Milhaud, Rita Streich, Erik Werba | B♭ Major | 1 | 6B | 81 BPM | ||
Hungarian Dance No.2 in D minor - Orchestrated by Iván Fischer | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | D Minor | 1 | 7A | 119 BPM | ||
Die Fledermaus / Act 2: "Mein Herr Marquis" | Johann Strauss II, Rita Streich, Deutsches Symphonie-Orchester Berlin, Kurt Gaebel, RIAS Kammerchor | G Major | 1 | 9B | 114 BPM | ||
Der Rosenkavalier, Op. 59, TrV 227 / Act II: "Mir ist die Ehre widerfahren" | Richard Strauss, Irmgard Seefried, Rita Streich, Staatskapelle Dresden, Karl Böhm | D Major | 1 | 10B | 105 BPM | ||
Shéhérazade, Op. 35: I. La mer et le bateau de Simbad | Nikolai Rimsky-Korsakov, Anima Eterna, Jos Van Immerseel, Midori Seiler | E Major | 0 | 12B | 56 BPM | ||
Strauss Jr., J.: Kaiser-Walzer, Op. 437 | Johann Strauss II, Willi Boskovsky, Wiener Johann Strauss Orchester | C Major | 1 | 8B | 103 BPM |
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